A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and ... See full summary »
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
Innocent people are being brutally murdered on the streets of New York City by a uniformed police officer. As the death toll rises and City Hall attempts a cover-up, Frank McCrae heads the ... See full summary »
A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
Johnny's sister is brutally attacked and murdered by a sadistic serial killer. At the trial, he is sentenced to be electrocuted, but a bleeding heart liberal has the sentence commuted to a ... See full summary »
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way. Written by
The film had a troubled production. When director William Lustig's rough cut came in at only 51 minutes, he refused to shoot the additional scenes the producers wanted and quit the project; the balance of the picture was directed by co-producer Joel Soisson. Prior to Blue Underground's DVD and Blu-ray release of the movie in 2013, Lustig was the film's credited director. However, the Blue Underground version is credited to the Director's Guild of America pseudonym Alan Smithee. See more »
At the end of the movie with Maniac Cop chasing after the detective in a police car while being set on fire, you can see the safety goggles under his mask in several of the changing shots in this stunt scene. See more »
Det. Sean McKinney:
I can't imagine the kind of pain you feel Matt. I'm not gonna pretend to. But don't condemn her to the same fate. She deserves better. You cleared her. She's at peace. Let her go, Matt. Let her go.
*talking to the voo-doo man* "Finish it!
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Former killer cop, officer Cordell is resurrected to take care of some unfinished business and exact revenge on those who have disgraced a policewoman shot in the line of duty.
Despite being made in 1993 Badge of Silence reeks of the 80s farmore than Cordells rotten flesh, basically it's part slasher flick, part cop shoot 'em up. There's stunt doubles, car chases and cops on the edge. To its credit Larry Cohen's Maniac Cop 3 story touches on some topical issues, problems with gun crime, the TV/press manipulation and corrupt officials.
With a hint of the Bride of Frankenstein and a more blatant supernatural overtone Robert Z'Dar is reduced to a zombie with a bigger chin than Bruce Campbell as wronged cop Matt Cordell. It feels like Z'Dar has less to do this time around and through no fault of his own his character is a shade of grey with his motivations as murky as cities officials.
The casting is above par for this kind of flick. Robert Davi is on form as usual, returning as Det. Sean McKinney and pretty much owns each scene with a Dirty Harry grimace. Top character actors Robert Forster and Paul Gleason have welcomed bit parts with Ted Raimi putting in cameo.
Where as part one shocked because of its daylight surprise setting, two because of its dark tone, grit and seediness part three is only notable for being the darkest looking installment lacking it's own identity feeling like an episode of the Equaliser starring The Terminator in places. However, where the aforementioned parts were low budget with a big budget results, edgy and delivered shocks, three falls short feeling rushed and underdeveloped retreading the antagonists past and redemption. Nevertheless, to director William Lustig's credit and writer Cohen 3 manages to mix a voodoo element and the gritty police backdrop successfully unlike for example Halloween 6 which followed two years later.
Overall, while not as entertaining nor as well executed as its predecessor it's worth seeing if only for Caitlin Dulany and Davi's performances and also to hear Joel Goldsmith overlooked score.
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