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The Mambo Kings (1992)

Musician brothers Cesar and Nestor leave Cuba for America in the 1950s, hoping to hit the top of the Latin music scene. Cesar is the older brother, the business manager, and the ladies' man... See full summary »

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Writers:

(novel), (screenplay)
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ON DISC
Nominated for 1 Oscar. Another 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Pablo Calogero ...
Ramon - The Mambo Kings Band
...
Bernardito - The Mambo Kings Band
Mario Grillo ...
Mario - The Mambo Kings Band
Ralph Irizarry ...
Pito - The Mambo Kings Band
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Johnny Bing - The Mambo Kings Band
James Medina ...
Manny - The Mambo Kings Band (as Jimmy Medina)
Marcos Quintanilla ...
Willie - The Mambo Kings Band
...
Frankie Suarez - The Mambo Kings Band
William Thomas Jr. ...
Xavier - The Mambo Kings Band
...
Flaco - The Mambo Kings Band
...
...
...
Lanna Lake
...
...
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Storyline

Musician brothers Cesar and Nestor leave Cuba for America in the 1950s, hoping to hit the top of the Latin music scene. Cesar is the older brother, the business manager, and the ladies' man. Nestor is the brooding songwriter, who cannot forget the woman in Cuba who broke his heart. Written by Dehlia

Plot Summary | Add Synopsis

Taglines:

With a suitcase full of song, Hearts filled with passion, two brothers come to America in search of a dream.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

28 February 1992 (USA)  »

Also Known As:

Mambo Kings  »

Box Office

Budget:

$15,500,000 (estimated)

Gross:

$6,742,168 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(flashback scene to childhood)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Warner Bros. wanted Jeremy Irons and Ray Liotta for the roles of Cesar and Nestor. Irons screen tested with Antonio Banderas. But Arne Glimcher fought for Armand Assante and Banderas whom he felt were perfect for the roles. See more »

Goofs

The "I Love Lucy" show was filmed in Hollywood several weeks in advance of the air date and never broadcast live as portrayed in the movie. See more »

Quotes

Cesar Castillo: In the name of the Mambo, the Rumba, and the Cha cha cha.
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Soundtracks

La Dicha Mia
Written by Johnny Pacheco
Performed by Celia Cruz
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User Reviews

A melodrama but a superior one
25 October 2006 | by (United Kingdom) – See all my reviews

When Cesar that his brother's woman married another man to save Nestor from being murdered, he decides that the time is right for them to leave Cuba and seek out their fortune in America. Arriving in a rainy New York, their relatives and friends already in NY scoff at suggestions that the brothers will walk straight into a downtown club with their music, however when Cesar is invited onto stage with Tito Puente at one such club, things look positive until a shooting spoils it all. As Cesar continues to chase his dream in his own way, Nestor finds himself dragged along, perhaps at the expense of his own dream desires.

Although I personally felt that the narrative could have been deeper and the characterisation more detailed, this film is lifted by the sense of place and period that delivers a glut of passion that runs across the whole film. Although it helps if you actually like the music and the culture, this energy is used well to help raise the material, which could easily have lapsed into soapy daytime melodrama. This is not to say that it doesn't do this occasionally but the film caught me up well to the point where I was engaged by their drama even while knowing it was a bit sentimental and (occasionally) contrived. Those happy to work at the melodrama level will easily enjoy this though because it is a superior example of that "genre" and Glimcher has done a good job of delivering the plot in a serious fashion.

Of course it helps that the main actors are so strong. Assante dominates the film simply because his character dominates his brother. He is full of fire and passion and he delivers the goods in a convincing way. However the more impressive performance is from Banderas. Although a more subtle character, the lack of English meant that he was delivering everything phonetically. I could not be convincing on screen in my own tongue so I can only imagine the challenge of delivering the dialogue while also being convincing emotionally. He nails it though. The two men also work well together and have a natural chemistry that was necessary to make convincing brothers. They own the film and support from Moriarty, Detmers and others never threatens them, although it is cool to have a cameo from Puente.

Overall then this is an enjoyable and energetic melodrama. It occasionally gets a bit too soapy but generally it is kept above this level – mainly thanks to impassioned delivery from Assante and Banderas. Some viewers will be turned off by it for what it is but for a melodrama it was surprisingly good.


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