On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the LAPD with a rogue detective who isn't what he appears to be.
Biograpical epic of Malcolm X, the legendary African American leader. Born Malcolm Little, his father (a Garveyite Baptist minister) was killed by the Ku Klux Klan. Malcolm became a gangster, and while in jail discovered the Nation of Islam writings of Elijah Muhammad. He preaches the teachings when let out of jail, but later on goes on a pilgrimage to the city of Mecca, there he converts to the original Islamic religion and becomes a Sunni Muslim and changes his name to El-Hajj Malik Al-Shabazz. He is assassinated on February 21, 1965 and dies a Muslim martyr. Written by
The film's producer, Marvin Worth, knew Malcolm X in real life. Their friendship played a huge role in Worth acquiring the rights to tell Malcolm X's story in 1967, even though it took over twenty years. In the meantime, Worth produced his own Oscar-nominated documentary on the subject, and commissioned numerous scripts, including one by David Mamet. At one point, Eddie Murphy was interested in a script. When Spike Lee came on board, he read all the different scripts and opted for the first one, written by James Baldwin. See more »
When Malcolm and Betty are in their living room discussing the rumors of Elijah Muhammad's infidelities and the pending lawsuits, the newspaper article quotes Muhammad saying "in denying the charges, Malcolm X instigated the suits in an effort to disgrace him and spoil the Black Muslim Rally". However at this time in the movie, Malcolm still believes all this to still be rumor. Furthermore, the previous scene featured Malcolm at the Black Muslim Rally praising Elijah Muhammad. See more »
In the name of Allah the merciful, all praises due to Allah, Lord of all the worlds. The one God to whom praise is due forever. The one who came to us in the person of Master Fard Muhammad and raised up the Honorable Elijah Muhammad. Amen.
How do you feel?
Who do we want to hear?
Are we gonna bring him on? Yes, we gonna bring him on. Well let us hear from our minister, Minister Malcolm X. Let us bring him on with a round of ...
See more »
One of the few films that actually lists every member of the studio orchestra that recorded the soundtrack. See more »
Malcolm X cannot truthfully be said to be one of Spike Lee's best films, but it was an important step for him, perhaps the most important one of his career. This biopic, and Spike's fifth full-length feature, makes only partial sense as a follow-up to his greatest classics, Do The Right Thing, Mo' Better Blues and Jungle Fever, the three films in which he created and developed his unique voice and made a name for himself as one of the most prominent independent filmmakers in the US; Spike's own voice can barely be heard in Malcolm X, and his usually immediately recognizable trademarks are tough to point out. The reason is that for the first time in his career Spike Lee took a step back, and he is not the dominant personality in the film; the dominant personality is Malcolm X himself, and Spike let Malcolm's voice be heard throughout the film louder than anything else.
So Malcolm X is less a work of art and more a statement than Spike's previous films. It's scope is immensely larger than anything he did before it does, after all, span 200 minutes and is therefore, naturally, not as tight and focused as Do The Right Thing or Jungle Fever; but in Malcolm X Spike tackles head on the very subjects he treated with symbolism and subtlety in those films, and it was therefore a natural and important progression for him, and a logical continuation of those movies, and in it he proved that he has more than one voice. In a biopic, and for that matter, in any docu-drama, the most important factor is for the director to care about the subject, and I'm yet to see a director who's more passionate about his subject than Mr. Lee.
Malcolm X boasts a huge ensemble casts, with wonderful performances by Delroy Lindo, Angela Bassette, Al Freeman Jr. (in a harrowing performance as Muslim extremist Elijah Muhammad) and Spike Lee himself but the movie is still entirely Malcolm X's, and therefore Denzel Washington's. Spike's protégé gave a lifetime performance in Mo' Better Blues two years earlier, but he surpassed it with his gut-wrenching portrayal of Malcolm X, which earned him an Oscar nomination (unfortunately lost to Al Pacino in Scent of a Woman) and based him as one of the best actors of his generation.
Although Malcolm X is not Spike Lee's best film, it's an important film that needed to be made, and it's a good thing that Spike was the one to do it. More than it's an impressive, moving, beautiful movie and it is - Malcolm X's story is a story that must be heard, and this biopic is a film that, truly, every cultured and intelligent person needs to watch.
25 of 43 people found this review helpful.
Was this review helpful to you?