Directed by | |||
| Jean-Claude Lauzon | |||
Writing credits(in alphabetical order) | ||
| Jean-Claude Lauzon | ||
Cinematography by | |||
| Guy Dufaux | |||
Film Editing by | |||
| Michel Arcand | |||
Casting by | |||
| Lucie Robitaille | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| François Séguin | |||
Set Decoration by | |||
| Frances Calder | |||
| André Chamberland | |||
Costume Design by | |||
| François Barbeau | |||
Production Management | |||
| Tommaso Calevi | .... | production manager | |
| Pierre Laberge | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jacques W. Benoit | .... | assistant director | |
| Marzio Casa | .... | assistant director: Italy | |
Art Department | |||
| Rejean Brochu | .... | construction supervisor | |
| Denis Hamel | .... | property master | |
| Étienne Lapointe-Proulx | .... | assistant property master | |
| Peter Stratford | .... | draftsman (uncredited) | |
Sound Department | |||
| Mathieu Beaudin | .... | sound effects editor | |
| Yvon Benoît | .... | sound | |
| Claude La Haye | .... | boom operator | |
| Jean-Pierre Lelong | .... | foley artist | |
| Jacques Plante | .... | adr supervisor | |
| Marcel Pothier | .... | sound editor | |
| François B. Senneville | .... | apprentice sound editor | |
| Hans Peter Strobl | .... | sound mixer | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| Mario Dumont | .... | special effects senior technician | |
Visual Effects by | |||
| Richard Martin | .... | title designer | |
Camera and Electrical Department | |||
| Jean-Yves Denis | .... | grip | |
| Pauline Heaton | .... | cinematographer: underwater unit | |
| Pierric Jouvante | .... | electrician | |
Costume and Wardrobe Department | |||
| Mariane Carter | .... | set costumer (as Marianne Carter) | |
Other crew | |||
| Marie-France Caron | .... | location manager | |
| Kirk Finken | .... | location manager | |
| Bernard Lamy | .... | production accountant | |
| Dominique Leroutier | .... | assistant to unit manager: second unit | |
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| The Squid and the Whale | Respiro | Day of the Wacko | The Science of Sleep | C.R.A.Z.Y. |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
I found this movie on a used VHS tape the other day and decided to check it out since it was a Canadian production.
Man, I can't decide whether I love or hate this movie. It's just plain weird! Sometimes it had me laughing (like in the beginning with the tomato, later when Leolo trades his flies for his sister's turd, etc); And then sometimes I was totally grossed out (like the cat scene). And the raw meat incident was sick, then later hilarious when it got served for dinner. There's definitely some "toilet" humour throughout this film.
Almost always I watch movies for enjoyment and I try not to analyse too much because it often spoils my enjoyment. But I've noticed some really deep analysis from previous reviewers regarding this film. And honestly, some of it is way too deep for me. (Maybe I'm the ignorant savage in the art museum.).
I wouldn't really class this movie as a comedy although it has some humorous scenes (very dark humour). I'd say this movie was more like a trip through a mental institution. It is a very haunting movie and I did find myself reflecting on it every so often for a while. It's a thinker for sure. It seemed sensitive, but in a very harsh way.
Acting was very good in my opinion. Any actor who can pull off roles like the ones in this movie has to be good.
Normally, I'm not fond of narration. But for some reason it didn't seem to bother me in this film. It sort of fit in better I guess.
This movie could freak out a lot of people. It's really worth watching, but not for young kids. I gave it 8 out of 10 because it was well acted, made me think on it, and it was certainly unique. Also I respect a person who goes against the flow to make something original.