IMDb > Bitter Moon (1992)
Bitter Moon
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Bitter Moon (1992) More at IMDbPro »

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Overview

User Rating:
7.1/10   21,447 votes »
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Director:
Writers:
Pascal Bruckner (novel)
Roman Polanski (screenplay) ...
(more)
Contact:
View company contact information for Bitter Moon on IMDbPro.
Release Date:
18 March 1994 (USA) See more »
Genre:
Tagline:
Haß kann nur gedeihen, wo Liebe ist... [Hatred can only develop when there is love...]
Plot:
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman... See more » | Full synopsis »
Plot Keywords:
Awards:
1 nomination See more »
NewsDesk:
(35 articles)
Polanski to receive Locarno honour
 (From eyeforfilm.co.uk. 29 July 2014, 7:07 AM, PDT)

Locarno to honour Roman Polanski
 (From ScreenDaily. 28 July 2014, 4:13 AM, PDT)

Venus In Fur – The Review
 (From WeAreMovieGeeks.com. 17 July 2014, 3:38 PM, PDT)

User Reviews:
Adds to our understanding of sex as politics See more (96 total) »

Cast

  (in credits order) (verified as complete)

Peter Coyote ... Oscar

Emmanuelle Seigner ... Mimi

Hugh Grant ... Nigel

Kristin Scott Thomas ... Fiona

Victor Banerjee ... Mr. Singh
Sophie Patel ... Amrita Singh
Patrick Albenque ... Steward
Smilja Mihailovitch ... Bridge Player
Leo Eckmann ... Bridge Player
Luca Vellani ... Dado
Richard Dieux ... Partygoer
Danny Wuyts ... Bandleader (as Danny Garcy)
Daniel Dhubert ... Bus Inspector
Nathalie Galán ... Girl in Boutique (as Nathalie Galan)
Eric Gonzales ... Cook
Jim Adhi Limas ... Thai Maître D' (as Jim-Adhi Limas)
Boris Bergman ... Oscar's Friend
Olivia Brunaux ... Cindy
Heavon Grant ... Basil
Charlene ... Hooker
Geoffrey Carey ... Neighbour with Dog
Robert Benmussa ... Flight Dispatcher
Claire Lopez ... Model
Shannon Finnegan ... Housewife
Frédérique Lopez ... Brunette (as Frederique Lopez)
Ysé Tran ... Eurasian Girl (as Yse Marguerite Tran)
Claude Bonnet ... Mayor
rest of cast listed alphabetically:

Stockard Channing ... Beverly (uncredited)

Directed by
Roman Polanski 
 
Writing credits
Pascal Bruckner (novel "Lunes de Fiel")

Roman Polanski (screenplay) &
Gérard Brach (screenplay) (as Gerard Brach) &
John Brownjohn (screenplay)

Jeff Gross (script collaboration)

Produced by
Robert Benmussa .... executive producer
Roman Polanski .... producer
Alain Sarde .... co-producer
Timothy Burrill .... co-producer (uncredited)
 
Original Music by
Vangelis 
 
Cinematography by
Tonino Delli Colli (director of photography)
 
Film Editing by
Hervé de Luze  (as Herve De Luze)
 
Production Design by
Willy Holt 
Gérard Viard  (as Gerard Viard)
 
Costume Design by
Jackie Budin 
 
Makeup Department
Loli Avellanas .... hair stylist (as Lolita Avellanas)
Alain Bernard .... hair stylist
Sophie Harvey .... makeup artist
Didier Lavergne .... makeup artist
 
Production Management
Jean-Marc Abbou .... unit manager
Jean-Jacques Damiani .... production manager
Françoise Piraud .... post-production manager
Daniel Szuster .... production supervisor
 
Second Unit Director or Assistant Director
Eric Bartonio .... first assistant director
Emanuel Booz .... second assistant director (as Emmanuel Booz)
Patrick Boshart .... second assistant director
Michel Cheyko .... first assistant director
Anne Trinquelle .... second assistant director
 
Art Department
Benoît Clémenceau .... production buyer (as Benoit Clemenceau)
Jean-Michel Ducourty .... assistant art director
Maurice Guarguir .... set painter
Marcel Laude .... property master
André Loisif .... construction manager (as Andre Loisif)
Jean-Claude Perchet .... set dresser
Jacques Quinternet .... production buyer
Philippe Turlure .... set dresser
 
Sound Department
Jean-François Auger .... post-synch mixer
Jean-Marie Blondel .... boom operator
Daniel Brisseau .... sound
Mimi Dashefski .... dialogue editor
Roberto Garzelli .... sound editor
Lizi Gelber .... adr editor (as Lizabeth Gelber)
Anne-Marie Leduc .... dialogue editor
Jean-Pierre Lelong .... foley artist
Marion Lorthioir .... post-synchronization
Jacques Lévy .... post-synchronization (as Jacques Levy)
Mario Melchiorri .... foley artist
Ray Merrin .... sound mixer
Laurent Quaglio .... sound editor
Bill Rowe .... sound mixer
 
Special Effects by
Jean-François Cousson .... special effects
Pierre Foury .... special effects
Martin Gutteridge .... special effects
Benoît Lestang .... special effects
Frederic Moreau .... optical effects supervisor
Jean-Louis Trinquier .... special effects
Paul Wilson .... special effects
 
Stunts
Jean-Louis Airola .... stunt coordinator
 
Camera and Electrical Department
Jean-Marie Benoît .... electrician (as Jean-Marie Benoit)
Roberto de Franceschi .... assistant camera (as Roberto De Franceschi)
François Duhamel .... still photographer
Etienne George .... still photographer
André Haidant .... grip (as Andre Haidant)
Gérard Haidant .... grip (as Gerard Haidant)
Jean Harnois .... camera operator
François Lauliac .... focus puller
Jean-Claude Le Bras .... gaffer (as Jean-Claude Lebras)
Valérie Le Gurun .... electrician (as Valerie Le Gurun)
Nicola Pecorini .... Steadicam operator
André Thiéry .... key grip (as Andre Thiery)
Jean-Pierre Voisin .... electrician
Alex Howe .... focus puller: sfx unit (uncredited)
 
Casting Department
Alberte Garo .... crowd casting
Françoise Menidrey .... casting: France
Mary Selway .... casting: UK
Bonnie Timmermann .... casting: USA (as Bonnie Timmerman)
 
Costume and Wardrobe Department
Ann Dunsford .... wardrobe master (as Anne Dunsford-Varenne)
Laurent Ferrie .... tailor
Gerard Staub .... dresser
 
Editorial Department
Nadia Ben Rachid .... assistant editor
Caroline Coudin .... assistant editor
Glenn Cunningham .... associate editor
Yvan Lucas .... color grader
 
Music Department
Philippe Colonna .... music mixer
Philippe Colonna .... music recordist
Frédéric Rousseau .... music mixer
Frédéric Rousseau .... music recordist
Vangelis .... musician
 
Transportation Department
Gilles Saulnier .... driver
 
Other crew
Sylvette Baudrot .... continuity
Aude Boedec .... production secretary
Jean-Pierre Bonnet .... production accountant
Quinn Donoghue .... unit publicist
Christophe Folcher .... trainee
Laurence Granec .... unit publicist
Philippe Guiraud .... stand-in
Jean-Marc Homand .... production accountant
Jennifer Patrick .... dialogue coach
Fabien Pondevaux .... trainee
Redha .... choreographer
Alain Sarde .... presenter
Natala Sevenants .... stand-in
Brigitte Squara .... trainee
Bruno Vignier .... location manager
Jack Waltzer .... drama coach
Peter Zewald .... legal advisor
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for the strong depiction of a perverse sexual relationship
Runtime:
139 min | Argentina:119 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Company:

Did You Know?

Trivia:
When she comes from the club, the film passing on the TV was "Once Upon a Time in America" the famous scene on the club opened only for them that ends in a terrible way.See more »
Goofs:
Continuity: In the scene when Mimi cuts her hair for the first time and bakes a Turkey for Oscar, he is wearing the same turtle necked blue sweater that was ripped off with a razor blade during a previous sex game.See more »
Quotes:
Mimi:You don't have a right to criticize yourself. It's my privilege.See more »
Soundtrack:
Never Can Say Good ByeSee more »

FAQ

This FAQ is empty. Add the first question.
9 out of 10 people found the following review useful.
Adds to our understanding of sex as politics, 24 June 1999
Author: Tim O'Grady (t_o_grady@hotmail.com) from Madison, Wisconsin

Extremely well made, extremely well acted, extremely intense and disturbing, and extremely conscious of areas of the sexual psyche that I'd never seen so honestly explored in a movie. According to Polanski, it is not love and hate which are opposite, but love and indifference. Obsessive sex gives way, at least between the two lovers of Bitter Moon, to a hatred as savage as cold-blooded murder or all-out war.

These extremities of love and hate work themselves out in a game of power and manipulation, and it remains the only vehicle by which these two can merge with one another so as to lose both their independence and the rest of their inhibitions and illusions. In the end, they become so bound up in their mutual need that the sex itself is no longer central. They might as well be prisoners lashed forever to the same stake, learning actually to enjoy the various torments that the other is able to inflict. Freud thought similarly that all sexual love was ultimately a form of masochism--identification with a partner whom one has caused to suffer. These questions are essential as long as the blood continues to throb in us; and, whether or not we find Polanski's story credible (I do), any thinking person would recognize it as a serious attempt to define who we humans are, both as rutting mammals and as something more.

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