British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ...
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A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to ... See full summary »
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's bar. Later he meets her crippled American husband Oscar, who tells him their story. While living in Paris for several years trying to be a writer, he becomes obsessed with a woman he met by chance on a bus. He tracks her down and they start a steamy love affair. Soon Oscar finds himself enslaved body and soul by her love, and continues to tell Nigel the details of this relationship in various stages over a number of visits to Oscar's cabin. Written by
Sami Al-Taher <email@example.com>
When she comes from the club, the film passing on the TV was "Once Upon a Time in America" the famous scene on the club opened only for them that ends in a terrible way. See more »
In the scene when Mimi cuts her hair for the first time and bakes a Turkey for Oscar, he is wearing the same turtle necked blue sweater that was ripped off with a razor blade during a previous sex game. See more »
You don't have a right to criticize yourself. It's my privilege.
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This film is utterly compelling - it will have you glued to the screen. It's about 2 hours and 15 minutes long, yet it never loses its grip. Although there are a few "funny" moments, you can never be sure whether they were intentional or not. The pacing is slow but wonderfully methodical. But what really makes this picture delightful is the level of the acting of the male stars. While the female leads are a bit stiff (the film's major flaw), the cynical Coyote and, especially, the charmingly shy Grant (his performance here is underrated) provide two different ways for the viewer to enter the story and their interplay is offbeat and endlessly entertaining. This is methodical, first-rate filmmaking by Polanski.
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