This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leaves. Herzog ... See full summary »
A meeting of two world famous climbers, one an experienced mountaineer the other a sport climber, and a journalist (Ivan) results in a bet on which of the two is the best climber. Roger (... See full summary »
On Crete, a wounded German paratrooper named Stroszek is sent to the quiet city of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a ... See full summary »
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself is presented to the viewer in such beautiful sights and beautiful music that one has to be fascinated by it. The German title translates 'lessons in darkness'. Written by
Werner Herzog thought the fires would be burning for months; when he found out they could be out in a few weeks, he hooked up with an experienced English film crew that had gotten permits but hadn't yet decided on the angle to their film. See more »
In an aerial shot, the shadow of the camera's helicopter is visible (about 10 minutes, 8 seconds into the film). See more »
Two figures are approaching an oil well. One of them holds a lighted torch. What are they up to? Are they going to rekindle the blaze? Is life without fire become unbearable for them?... Others, seized by madness, follow suit. Now they are content. Now there is something to extinguish again.
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There is a sense with this documentary, that the middle east is part of another world altogether. It opens with a fly over of Kuwait pre-war, looking like a place far removed from this world, with its quasi-religious skyscrapers welcoming the camera as it comes over the port. Satellites are shown post-war, blown apart in a tangled mass resembling a fallen space station. Echoing a sci-fi, but with a ghostlike feeling only reality can achieve. The images are reinforced by some of the most moving music ever composed. Herzog struggles with a large lump in his throat, to clarify the situation with infrequent narration. The situation speaks for itself, no words are necessary, the images and the music combine to get as close to representing the unrepresentable as possible. I recommend Godfrey Reggio's Koyaanisqatsi (1983) to fellow admires of this film, and it's message.
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