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Lektionen in Finsternis (1992)
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Overview
User Rating:
Director:
Writer:
Werner Herzog (writer)
Release Date:
26 October 2002 (Hong Kong)
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Genre:
Plot:
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary...
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Awards:
1 win
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NewsDesk:
First Official Poster for Werner Herzog's New Bad Lieutenant
(From FirstShowing.net. 4 September 2009, 2:16 AM, PDT)
(From FirstShowing.net. 4 September 2009, 2:16 AM, PDT)
User Comments:
of another world
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Cast
(Credited cast)| Werner Herzog | ... | Narrator (voice) |
Additional Details
Also Known As:
Lessons of Darkness (USA) (video title)
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Parents Guide:
Runtime:
50 min
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Filming Locations:
Fun Stuff
Trivia:
Director Werner Herzog says he prefers to think of this as a science fiction film, not a documentary.
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Goofs:
Crew or equipment visible: In an aerial shot, the shadow of the camera's helicopter is visible (about 10 minutes, 8 seconds into the film).
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Quotes:
Movie Connections:
Featured in The Last Winter (2006)
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FAQ
This FAQ is empty. Add the first question.more (17 total)
Message Boards
Discuss this movie with other users on IMDb message board for Lektionen in Finsternis (1992)| Recent Posts (updated daily) | User |
|---|---|
| What other films can you compare this one to? | SurrenderToto |
| Wow, boring! | jwsiegel |
| Blu-Ray | cgibson14 |
| Another soundtrack question | rebekahld-1 |
| The DVD | Tsunami3G |
Recommendations
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There is a sense with this documentary, that the middle east is part of another world altogether. It opens with a fly over of Kuwait pre-war, looking like a place far removed from this world, with its quasi-religious skyscrapers welcoming the camera as it comes over the port. Satellites are shown post-war, blown apart in a tangled mass resembling a fallen space station. Echoing a sci-fi, but with a ghostlike feeling only reality can achieve. The images are reinforced by some of the most moving music ever composed. Herzog struggles with a large lump in his throat, to clarify the situation with infrequent narration. The situation speaks for itself, no words are necessary, the images and the music combine to get as close to representing the unrepresentable as possible. I recommend Godfrey Reggio's Koyaanisqatsi (1983) to fellow admires of this film, and it's message.