This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ... See full summary »
The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ... See full summary »
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
This film was prepared as a introduction to a series of opera broadcasts on German television. It depicts the behind-the-scenes maneuverings in preparation for the annual opera festival in ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself is presented to the viewer in such beautiful sights and beautiful music that one has to be fascinated by it. The German title translates 'lessons in darkness'. Written by
Werner Herzog thought the fires would be burning for months; when he found out they could be out in a few weeks, he hooked up with an experienced English film crew that had gotten permits but hadn't yet decided on the angle to their film. See more »
In an aerial shot, the shadow of the camera's helicopter is visible (about 10 minutes, 8 seconds into the film). See more »
Two figures are approaching an oil well. One of them holds a lighted torch. What are they up to? Are they going to rekindle the blaze? Is life without fire become unbearable for them?... Others, seized by madness, follow suit. Now they are content. Now there is something to extinguish again.
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Herzog has been making brilliant films since the late '60s, and frankly it's a bit of a pain in the arse keeping up with such a prolific director.
However, if you are a fan of his features and staggering documentary work, "Lessons of/in Darkness" demands your immediate attention.
The film is essentially a birds-eye view (often quite literally) of the plague of oil-choked death, fire, chaos and destruction that resulted from the brief but grotesquely internecine technological blitzkrieg of the Gulf War. Herzog, of course, takes particular interest in the seeming madness of the crews of mercernary American firefighters that are putting out the oil well fires across the deserts.
Various points on the conflict and its aftermath inevitably bubble to the surface, but arise without overt proselytizing. The images do the majority of the talking.
And they are eye-popping. Startling, frightening visuals that stand out even in the Herzog canon -- great vistas of blackness and glowing terror that would make any sci-fi director soylent green with envy. They are accompanied by little else: brief interstitials, an almost nonexistent, terribly serious Herzog narrative and a ghostly and elegiac score.
The short interviews with individuals who suffered are heartbreaking, perhaps all the more so due to their brevity.
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