In 1959 Brighton, disgraced cop turned private detective Tony Aaron works largely on falsifying adulteries for use as evidence in divorce cases. He involves his wife as the fictional ... See full summary »
Laura San Giacomo,
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as... See full summary »
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Jonas is a fraudulent faith healer, who uses all the tricks in the book to con the people attending his shows. Jonas and his team of helpers, including Jane who is in need of some romance, travel the country stopping at big towns and cities to put on their show. When one of the trucks breaks down in a small town, Jonas is quick to accept the challenge of making money in this town. His other goal is to seduce Marva, a waitress in the town, but she's a hard nut to crack, as is Will, the local sheriff who's determined to expose Jonas as a fraud. Written by
Jonas's "mind-reading" trick, wherein he receives intimate details about his marks via a small radio, loosely follows the exploits of televangelist Peter Popoff, who performed a very similar trick with his wife at the microphone. Popoff's career took a nosedive when he was publicly "outed" on the Johnny Carson show by professional magician and skeptic James Randi, who had managed to smuggle a radio scanner into one of Popoff's revival meetings. See more »
During the first "healing" sequence, Jonas addresses the woman who needs a job. Meanwhile, his assistants ready another audience member, a blonde woman in a blue dress, at the opposite side of the stage. However, in the next shot, the blonde woman has been replaced by the "gambling man" who Jonas picked out of the audience earlier. See more »
A woman is like a slingshot. The greater the resistance, the further you can get with her.
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During the closing credits, the 'Angels of Mercy' singers are shown singing to a tent full of people (including some of the cast members). See more »
Steve Martin is a great comedian. Always has been, always will be. (Even after the Out-of-Towners.) But very comedian at one point or another gets that itch. The one that can make or break a comedians career. The drama itch.
On the surface, this looks like a silly satire of traveling evangelist. But if you look deeper, you will see Steve Martin giving what is perhaps the most powerful performance of his career. Fresh from movies like HouseSitter, Father of the Bride, and L.A. Story (one of my personal favourites), Steve Martin plays a con man who's current con is working as a traveling evangelist. Despite being a movie about a con man, however, Steve Martin does something that not many people thought he could do at the time: he showed he could actually act! And in a movie that had a message, nonetheless. Yes, the man who once played the banjo with an arrow through his head delivers a message.
Yes, this movie has it's flaws - meandering on insignificant side stories while under developing others, leaving some stories unresolved - but most of these are story flaws. Faith movies (or at least good ones) have never been about stories, but about the emotions and the messages that they convey, and this movie conveys two very important messages. 1) Sometimes, all you need is faith. 2) Steve Martin can act his goofy ass off!
If you wanna see a movie with a great story and great jokes, rent L.A. Story or Parenthood. If you wanna see a movie with a great message that even an agnostic would find uplifting (see previous reviews) then watch Leap of Faith.
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