As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.
Raoul Max Trujillo,
British and French troops do battle in colonial America, with aid from various native American war parties. The British troops enlist the help of local colonial militia men, who are reluctant to leave their homes undefended. A budding romance between a British officer's daughter and an independent man who was reared as a Mohican complicates things for the British officer, as the adopted Mohican pursues his own agenda despite the wrath of different people on both sides of the conflict. Written by
Ed Sutton <email@example.com>
When the film was pushed back from its original summer release in 1992 to September, Composer Randy Edelman was brought in to provide additional music after Trevor Jones could not return to the film due to other commitments after having written about fifty minutes of music to rework his score from the film's original three hour cut. Edelman would provide about twenty-eight-and-a-half minutes. Edelman was then in charge of assembling the music for the new cut of the film which clocked in at about 114 minutes which included Jones' music, Edelman's, and all the source material by Daniel Lanois and Clannad. Jones and Edelman did not work together on the score which is why their names on the credits are separate from one another. The subsequent soundtrack album also represents this as Jones' music is separated from Edelman's as the album's first half is Jones' score followed by Edelman's and ending with Clannad's song to round it out. All told with their musical contributions to the film, Jones and Edelman's score combined round out to approximately seventy-eight minutes without the source music. See more »
When the British leave the Fort, a propane gas bottle, a plastic box and bucket made of stainless steel can be seen as the soldiers go down the ramp. See more »
1757 / The American colonies. / It is the 3rd year of the war between England and France for the possession of the continent. / Three men, the last of a vanishing people, are on the frontier west of the Hudson River.
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Policier specialist Michael Mann steps way off his usual beaten path with this adaptation of that hoary old James Fenimore Cooper tale of frontiersmen, Indians, Redcoats and the French -- the latter back when they knew how to fight.
Chameleonic actor Daniel Day Lewis is totally convincing as Hawkeye, tracker, warrior, and adopted white son of Chingagchook, last of the Mohicans tribe. Along with adoptive brother, Uncas, the three are swept into the French and Indian war of 1757, treading lightly between the antagonists: French and Hurons on one side, British and colonials on the other, each faction potentially treacherous and deadly.
Mann doesn't waste time on exposition or character development; he just hurls us into the fast-paced, brutal action and the effect is like snagging the tail of a galloping racehorse and trying to hang on to the finish line. Madeline Stowe and Jodhi May, as sisters of the British major Munro, provide love interest for Hawkeye and Uncas, respectively. Steven Waddington is another Redcoat officer infatuated with Stowe, and he too shines as a 'bad guy' who's more complex than he at first seems. But the movie's almost stolen by Wes Studi as Magua, a Huron warrior who's allied himself with the French solely as a means to avenge himself on the white man. He's as mesmerizing and lethal as a cobra.
Technical qualities are exemplary, with special mention to the magnificent scenery of old-growth forestlands and mountains in North Carolina, and a superb score by Trevor Jones, with an assist by Randy Edelman.
Mann might not be the first guy you'd think of to stage an 18th-century period action/adventure/romance. But after seeing what he does here, no one can fail to be impressed by his range and bravura. This is a must-own.
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