British and French troops do battle in colonial America, with aid from various native American war parties. The British troops enlist the help of local colonial militia men, who are reluctant to leave their homes undefended. A budding romance between a British officer's daughter and an independent man who was reared as a Mohican complicates things for the British officer, as the adopted Mohican pursues his own agenda despite the wrath of different people on both sides of the conflict. Written by
Ed Sutton <email@example.com>
When the film was pushed back from its original summer release in 1992 to September, Composer Randy Edelman was brought in to provide additional music after Trevor Jones could not return to the film due to other commitments after having written about fifty minutes of music to rework his score from the film's original three hour cut. Edelman would provide about twenty-eight-and-a-half minutes. Edelman was then in charge of assembling the music for the new cut of the film which clocked in at about 114 minutes which included Jones' music, Edelman's, and all the source material by Daniel Lanois and Clannad. Jones and Edelman did not work together on the score which is why their names on the credits are separate from one another. The subsequent soundtrack album also represents this as Jones' music is separated from Edelman's as the album's first half is Jones' score followed by Edelman's and ending with Clannad's song to round it out. All told with their musical contributions to the film, Jones and Edelman's score combined round out to approximately seventy-eight minutes without the source music. See more »
When Chingachgook hits Magua's arm with the war club, the club bends, showing that it was actually rubber. See more »
1757 / The American colonies. / It is the 3rd year of the war between England and France for the possession of the continent. / Three men, the last of a vanishing people, are on the frontier west of the Hudson River.
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The Last of the Mohicans is a timeless tale of the 18th century frontier and the virtue and tragedy that results when the uniquely different cultures of the French, English, Native Americans, and colonists collide. Based on James Fenimore Cooper's literary genius, The Last of the Mohicans transports the viewer back to a time of America's youth in a brilliant, mesmerizing fashion.
The story centers on an eclectic band of travelers, thrust together by fate and their attempt to escape danger and reach the besieged British fort, William-Henry. Deep within the western forests of colonial New York, Hawkeye, the white, adopted son and brother of the Mohicans, tries desperately to avoid an ever-increasing war. He is forced to act when, along with his Mohican father and brother, he encounters two endangered sisters trying to reach their father, a British colonel in command at the fort. Hawkeye, the rustic tracker, and Cora, the refined, eldest daughter, are naturally drawn together (much to the dismay of Major Heyward, an intriguing character who also vies for Cora's affections). Tensions and passions arise between the characters as a whirlwind of conflict and violence rages around them. In the end, each character must face heart-wrenching decisions that will affect their very lives, and the lives of those around them.
I especially love the way that the film depicts the perspectives of each of the groups involved. Whether the group is competing for military superiority or simple existence in their homeland, the viewer is given a true sense of their mindset in the midst of a great conflict. It is difficult to say one side or the other is completely to blame for the events that take place. Even the story's main antagonist, Magua (wonderfully portrayed by Wes Studi, Dances with Wolves) draws in a fair amount of empathy.
The Last of the Mohicans is a marvelous, visual adventure that thoroughly reveals the horrors of warfare, the wildness of a chaste frontier, and the fated and ill-fated romances of the characters involved.
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