Beyond Borders is an epic tale of the turbulent romance between two star-crossed lovers set against the backdrop of the world's most dangerous hot spots. Academy Award winner Angelina Jolie... See full summary »
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
British and French troops do battle in colonial America, with aid from various native American war parties. The British troops enlist the help of local colonial militia men, who are reluctant to leave their homes undefended. A budding romance between a British officer's daughter and an independent man who was reared as a Mohican complicates things for the British officer, as the adopted Mohican pursues his own agenda despite the wrath of different people on both sides of the conflict. Written by
Ed Sutton <email@example.com>
When the film was pushed back from its original summer release in 1992 to September, Composer Randy Edelman was brought in to provide additional music after Trevor Jones could not return to the film due to other commitments after having written about fifty minutes of music to rework his score from the film's original three hour cut. Edelman would provide about twenty-eight-and-a-half minutes. Edelman was then in charge of assembling the music for the new cut of the film which clocked in at about 114 minutes which included Jones' music, Edelman's, and all the source material by Daniel Lanois and Clannad. Jones and Edelman did not work together on the score which is why their names on the credits are separate from one another. The subsequent soundtrack album also represents this as Jones' music is separated from Edelman's as the album's first half is Jones' score followed by Edelman's and ending with Clannad's song to round it out. All told with their musical contributions to the film, Jones and Edelman's score combined round out to approximately seventy-eight minutes without the source music. See more »
Hawkeye first sees the bombardment of the fort on the far side of an island. There is no island in Lake George anywhere near the fort. See more »
1757 / The American colonies. / It is the 3rd year of the war between England and France for the possession of the continent. / Three men, the last of a vanishing people, are on the frontier west of the Hudson river.
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Fierce, bold, and beautiful - "The Last of the Mohicans"
"The Last of the Mohicans" was one of the most popular and acclaimed films of 1992. Its vision of early America, as it was during the French and Indian War, is captured in its utter brutality and beauty, complete with the many driving ambitions and clashing cultures of everyone involved.
This movie has a bit of everything, including action, romance, war, and passionate drama. The director, Michael Mann, knows the story well and does all but completely discard James Fenimore Cooper's source material, which some have dubbed as being racist and totally unfair in its portrait of Native Americans.
The story (and what a story) is all over the place, with three frontier scouts - Hawkeye (Daniel Day-Lewis), Chingachgook (Russell Means), and Uncas (Eric Schweig) - escorting a British colonel's daughters - Cora and Alice Munro (Madeleine Stowe and Jodhi May respectively) - to safety at the besieged Fort William Henry. Major Duncan Heyward (Steven Waddington) rivals Hawkeye for Cora's affections and a vengeance-driven Huron named Magua (Wes Studi) seeks to have both daughters killed in retribution for the loss of his own children.
This is by far Mann's best film yet (it ranks #15 on my all-time favorite movies list) and he uses the lush wilderness settings to great effect. He also makes good use of the editing, which actually comes in handy when showcasing the brutal violence that dominates much of the film's action sequences. The film's last 20 minutes are a definite stunner that can only be described as classic and vicious.
This is a great movie that shows America in its infancy, complete with the rivalries, intrigue, and violence that I'm sure was an everyday part of life during this hectic time period.
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