Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with ...
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When a womanizing bookshop owner hears about the suicide of his former girlfriend, he tries to find out more and meets her friend, a prostitute. They hook up, but when she finds her friends... See full summary »
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
An older woman does not speak to her daughter and detests everything about her. The only solace is with her regular visits to the doctor who drops her off along the road to spend her day in... See full summary »
Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with Frenchman J.P., and her rather prickly houseproud ways are causing frictions counterpointed by Vicki's more laid-back and indolent air. When Beth goes off on vacation to the outback alone with her cantankerous father to see if they can finally get to know each other, relationships in the household start to shift. Written by
Jeremy Perkins <firstname.lastname@example.org>
In the fight between Beth and J.P. on the way home, J.P. makes a comment about a 'Drizabone'. 'Drizabone' is the brand name of a type of oilskin coat, much favoured by farmers and other rural workers. See more »
The Question is "Am I always going to stand back and not take what I want, just because it's yours?"
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This is a moody and frank story of an Australian couple and how relationships change when the husband falls in love with his wife's sister. Lisa Harrow is the pent-up wife of J.P.(Bruno Ganz)and Kerry Fox is Vicki the younger sister and temptress. I saw this on IFC and was really reeled in with the straight forward atmosphere and personal subject matter. Cinematography is super and the Australian accents cool and pleasing. This is a powerful drama; and well deserved kudos for director Gillian Armstrong.
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