Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with ...
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An older woman does not speak to her daughter and detests everything about her. The only solace is with her regular visits to the doctor who drops her off along the road to spend her day in... See full summary »
Peter Soffel is the stuffy warden of a remote American prison around the turn of the century. His wife, Kate, finds herself attracted to prisoner Ed Biddle. She abandons her husband and ... See full summary »
Sybylla Melvyn is an independent young woman who soon after arriving to live with her Grandmother Bossier and aunt Helen announces that she will never marry and plans on having a career ... See full summary »
One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the ... See full summary »
Hans Christian Blech
Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with Frenchman J.P., and her rather prickly houseproud ways are causing frictions counterpointed by Vicki's more laid-back and indolent air. When Beth goes off on vacation to the outback alone with her cantankerous father to see if they can finally get to know each other, relationships in the household start to shift. Written by
Jeremy Perkins <email@example.com>
Clips from four Australian television shows are seen - "The Agony and the Ecstasy" (documentary), "PGR: Suddenly You're a Parent" (documentary), "Good Morning Australia" (breaksfast show), and "First Final of the World Series Cup" (sporting broadcast). See more »
Don't tell J.P.
Why would I do that?
Don't married people tell each other everything?
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Forget "smart","edgey",or "strong women"(?), try plain old GOOD!
I liked My Brilliant Career back in 1980, but after seeing this effort from the brilliant turned masterful Ms Armstrong I suspect that its traditional feminist message ("I won't give up my dreams for a man") made it more palatable for the times. Chez Nous doesn't let you off the hook so easily. What I found so compelling is its gentle but firm refusal to adopt a condescending attitude towards the characters or the audience. I rented this film with Jane Campion's Sweetie, which I found audaciously weird but riveting, in fact I now own Sweetie. Like Chez Nous, it deals with heroines and their family relationships, particularly involving sisters and to some degree, fathers. Both films are from the same part of the world. I was happy to find a used copy of Sweetie a few months after seeing it, but I watched Chez Nous twice before returning it, and that's the highest recommendation I can give.
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