Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with ... See full summary »
Sybylla Melvyn is an independent young woman who soon after arriving to live with her Grandmother Bossier and aunt Helen announces that she will never marry and plans on having a career ... See full summary »
Hanif and Dean steal a cache of drugs from Dean's psychotic brother Jerry, and at the last minute get a lift with Mimi as she decides to drive to Perth. They pick up a drunken singer, ... See full summary »
Peter Soffel is the stuffy warden of a remote American prison around the turn of the century. His wife, Kate, finds herself attracted to prisoner Ed Biddle. She abandons her husband and ... See full summary »
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Alice's father left when she was a child. She continued to share her life with him in letters that she sent not realising that he never received them. Eventually, they all come back with "... See full summary »
Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with Frenchman J.P., and her rather prickly houseproud ways are causing frictions counterpointed by Vicki's more laid-back and indolent air. When Beth goes off on vacation to the outback alone with her cantankerous father to see if they can finally get to know each other, relationships in the household start to shift. Written by
Jeremy Perkins <email@example.com>
In the fight between Beth and J.P. on the way home, J.P. makes a comment about a 'Drizabone'. 'Drizabone' is the brand name of a type of oilskin coat, much favoured by farmers and other rural workers. See more »
Don't tell J.P.
Why would I do that?
Don't married people tell each other everything?
See more »
Forget "smart","edgey",or "strong women"(?), try plain old GOOD!
I liked My Brilliant Career back in 1980, but after seeing this effort from the brilliant turned masterful Ms Armstrong I suspect that its traditional feminist message ("I won't give up my dreams for a man") made it more palatable for the times. Chez Nous doesn't let you off the hook so easily. What I found so compelling is its gentle but firm refusal to adopt a condescending attitude towards the characters or the audience. I rented this film with Jane Campion's Sweetie, which I found audaciously weird but riveting, in fact I now own Sweetie. Like Chez Nous, it deals with heroines and their family relationships, particularly involving sisters and to some degree, fathers. Both films are from the same part of the world. I was happy to find a used copy of Sweetie a few months after seeing it, but I watched Chez Nous twice before returning it, and that's the highest recommendation I can give.
5 of 6 people found this review helpful.
Was this review helpful to you?