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L.627 (1992)

7.4
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Ratings: 7.4/10 from 991 users  
Reviews: 8 user | 6 critic

This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by ... See full summary »

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Title: L.627 (1992)

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Cast

Cast overview, first billed only:
Didier Bezace ...
...
Dodo
Charlotte Kady ...
Marie
Jean-Roger Milo ...
Manuel
Nils Tavernier ...
Vincent
...
Antoine
...
Cécile Garcia-Fogel ...
Kathy Marguet
Claude Brosset ...
Adore
Fabrice Roux ...
Toulouse
Jean-Luc Abel ...
J.P.
Martial ...
Rambo
Jacky Pratoussy ...
Mario (as Jacques Pratoussy)
Didier Castello ...
Willy
Jacques Rosny ...
Tulipe 4
Edit

Storyline

This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by the rules or kowtow to his weak and/or corrupt superiors. Lulu thrives in this violent world, where sheer guts can overcome his squad's deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

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Details

Country:

Language:

Release Date:

9 September 1992 (France)  »

Also Known As:

Auf offener Straße  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

Bertrand Tavernier co-wrote this anti-drugs film with a Drug Squad detective, and dedicated it to his ex-heroin addict son. See more »

Quotes

Cecile: You have no friends, they're all informants.
See more »

Connections

References My New Partner (1984) See more »

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User Reviews

 
A really eye opener
17 August 2010 | by (Australia) – See all my reviews

This film was a relentless eye opener to a seedy world which we do not want to believe is true but unfortunately as in the case of Paris it has only gotten worse.

What makes the film work? Well I think it works because of the broken up and choppy style between scenes. We do not move from scene 1 to 2 to 3 until eventually we come to a happy conclusion, instead we are moved here and there not ultimately leading us to a big bust or the worst bad guy, but simply the guys the police have to deal with on a daily basis. At least for me these small time crimes are reflective of real police work, we are not chasing some super intelligent sicko serial killer here, it's not CSI, Bones, or any of those silly shows.

In a perfect world the police would have the resources and power to stop illegal acts, but the police force like any large government institution becomes bogged down and convoluted under it's own weight. Imagine writing off to the stationery department to get a stapler if you were a cop, this would invariably happen. And at least Tavernier can show us the unglorious truth in it's ridiculous splendour.

There is also no black and white areas here. The police give junkies drugs for information. They use some tough methods with the criminals. They're methods are often made up on the spot and often things go horribly wrong.

I cannot recommend this film enough. I picked it up on the off chance and I was not at all disappointed.


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