| Photos (See all 11 | slideshow) |
| Ariyan A. Johnson | ... | Chantel Mitchell | |
| Kevin Thigpen | ... | Tyrone | |
| Ebony Jerido | ... | Natete | |
| Chequita Jackson | ... | Paula | |
| Jerard Washington | ... | Gerard | |
| Tony Wilkes | ... | Owen Mitchell | |
| Karen Robinson | ... | Debra Mitchell | |
| Johnny Roses | ... | Mr. Weinberg | |
| Kisha Richardson | ... | Lavonica | |
| Monet Dunham | ... | Denisha | |
| Wendell Moore | ... | Mr. Moore | |
| William Badgett | ... | Cedric | |
| Laura Ross | ... | Woman Customer | |
| Rasha Mella | ... | Woman in Welfare Office (as Rashmella) | |
| Ron L. Cox | ... | Clinic Doctor | |
| Richie Carter | ... | Rashawn | |
| Mwata Cofer | ... | Amiri | |
| Shawn King | ... | Andre | |
| Gary Perez | ... | Store Manager | |
| Lynn Franklin | ... | Social Worker | |
| Erwin Wilson | ... | Policeman #1 | |
| Louis Thomas Jr. | ... | Policeman #2 | |
| Nicholas B. Carter | ... | Child Who Opens Bag | |
| Jasmine Thomas | ... | Chantel's and Ty's Baby | |
| Moise Dominque | ... | New Born Baby |
Directed by | |||
| Leslie Harris | |||
Writing credits(in alphabetical order) | ||
| Leslie Harris | ||
Produced by | |||
| Nelson George | .... | associate producer | |
| Leslie Harris | .... | executive producer | |
| Leslie Harris | .... | producer | |
| Erwin Wilson | .... | producer | |
Original Music by | |||
| Eric Sadler | |||
Cinematography by | |||
| Richard Connors | |||
Film Editing by | |||
| Jack Haigis | |||
Casting by | |||
| Tracey Moore | |||
Production Design by | |||
| Michael O'Dell Green | |||
Set Decoration by | |||
| Robin Chase | |||
Costume Design by | |||
| Bruce Brickus | |||
Makeup Department | |||
| Larry M. Cherry | .... | hair stylist | |
| Karen Robinson | .... | makeup artist | |
Sound Department | |||
| David Bouhon | .... | adr engineer | |
| Andrea Canovas | .... | assistant sound editor | |
| Pam DeMetruis-Thomas | .... | supervising sound editor (as Pam DeMetruis) | |
| Mark Jones | .... | boom operator | |
| George A. Lara | .... | foley engineer | |
| Lisa J. Levine | .... | adr supervisor | |
| Barry Malawski | .... | assistant sound editor | |
| Yvette Nabel | .... | foley editor | |
| Harry Peck Bolles | .... | sound editor | |
| Ahmad Shirazi | .... | sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Brian Vancho | .... | foley artist | |
| Harrison Williams | .... | sound mixer | |
Camera and Electrical Department | |||
| Beverly Cable | .... | gaffer | |
| Xiomara Comrie | .... | second assistant camera | |
| Nicholas Hoffman | .... | additional camera operator | |
| Anthony Ingoglia | .... | grip | |
| Fred Nielson | .... | first assistant camera | |
| Erwin Wilson | .... | additional camera operator | |
| Gail Wilson | .... | assistant camera | |
Editorial Department | |||
| Alex Varunok | .... | assistant film editor | |
Music Department | |||
| Willie Bruno II | .... | composer: additional music | |
| Eric Sadler | .... | music supervisor (as Eric 'Vietnam' Sadler) | |
| Stuart Stanley | .... | music editor | |
Transportation Department | |||
| Anthony Ingoglia | .... | driver | |
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| Half Nelson | The Substitute 2: School's Out | Lean on Me | Saturday Night Fever | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Seldom do I see a movie which makes me scream for the death of the lead character, but this one did. I'm not quite sure if the point was to criticize the urban African-American "culture" of materialism and irresponsibility, but the net effect was to suggest that Chantel deserved all the heartache she got and then some. If you enjoy watching a totally irresponsible, self-centered, terminally attitudinal nut case mess up her life, this is the flick for you. Supposedly, she is intelligent and studious, but the film doesn't back that up, because everything she does is colossally stupid. This movie could be used by white supremacist groups to justify neglect of inner city youth; the folks in this flick don't seem to be that badly off (the high school looks positively middle-class compared to some of those in Los Angeles), but they resolutely disregard every opportunity that blows their way.