Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
After a friend overdoses, Spoon and Stretch decide to kick their drug habits and attempt to enroll in a government detox program. Their efforts are hampered by seemingly endless red tape, ... See full summary »
Two corrupt cops murder an undercover DEA agent by mistake, and frantically try to cover their tracks by framing a homeless man for the crime. That involves juggling evidence, coaching ... See full summary »
4 Harlem teens, Q, Bishop, Raheem and Steel, are out skipping school one day when they find out an old friend was killed in a shootout at a bar. After this, Bishop tells his friends that they have no respect, or juice. To get some, they rob a corner grocery store, but things take an unexpected turn. Only the four friends know what happened, but one of them is out for himself. Written by
The scene where both Q and Bishop are being chased by the cops on the rooftops are based on personal experiences by Ernest Dickerson growing up in Newark where he would jump from rooftop to rooftop. See more »
After the scene in which Q, Bishop, Steele and Raheem had the altercation with Radames and his crew, they ran around the corner and Bishop lit up a cigarette and the very next shot, he has no cigarette and his hands are in his pockets. Then he takes a drag off Raheem's cigarette. See more »
I'm letting you breathe, ain't I?
You can't even walk your own block, without getting fucked up by Radimez!
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This is a hip-hop classic that I could definitely relate to being from NYC, and having been in a click of four friends since grade school. The film has a great pace and rhythm from start to finish, never a dull moment. Tupac displayed the raw talent and anger that resides in most inner city youth who simply want respect. Unfortunately respect came at a price, which the film was precisely able to convey, through strong performances by Tupac, and by Omar Epps, as the aspiring DJ, in their first featured roles. Samuel L. Jackson has a noticeable role as a pool hall owner, and young Queen Latifah does her thing as the Ruffhouse MC. Ernest Dickerson does an excellent job with capturing the energy of Harlem in an honest way, not dressed as a stereo-typical slum or focused on the historic 125th street, but neutral to lay the groundwork for the true challenges that living in Harlem has to offer these four young men. A classic!!
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