Dragon is now transferred to be the police head of Sai Wan district, and has to contend with a gangster kingpin, anti-Manchu revolutionaries, some runaway pirates, Manchu Loyalists and a corrupt police superintendent.
Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
A hero cop accidentally leads his team into a trap from which he is the only survivor. Drowning his guilt in booze, he is eventually assigned a new younger partner who turns out to have his own secrets.
A special agent assigned to protect a wealthy business magnate. However, when the businessman is kidnapped in a daring ambush, he teams up with a seasoned detective to crack the case. But soon he discovers the case isn't that simple.
Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
A Hong Kong police officer, Ka Kui is sent undercover to mainland China to break up a drug smuggling ring. After breaking the brother of the drug lord out of prison, he and another agent (a beautiful communist policewoman) are taken to Hong Kong to work for the syndicate. The wife of the crime boss has been arrested in Malaysia for drug trafficking and is soon to be executed. However, she is the only person who knows the account number of a secret Swiss bank account containing millions in drug money. While the two officers are in Malaysia preparing for the jail break, Ka Kui accidentally runs into his girlfriend May, who has traveled there from Hong Kong. Soon his cover is blown, the criminals kidnap his girlfriend and he is forced to help them pull off the jail break. Written by
Ken Tsang was doubled by director Stanley Tong himself for the helicopter stunt towards the finale. As a result, Tong broke his shin and can be seen sporting crutches and a cast during the film's outtakes/credits. See more »
When Inspector Yang lands on the red sports car driven by Kevin she breaks the windshield removing the top part of the windshield frame and rearview mirror. In the next shots the frame and rearview mirror are back in place.
The windscreen frame that breaks is a clearly-visible dummy breakaway fitted in place of the Midget Mk II's normal frame; it is taller than the real windscreen.
Also, the Midget Mk II was fitted with triplex-type safety glass which has a middle layer of clear sealant and would break but not fly into pieces, and the early Midgets were fitted with light-alloy windscreen pillars that would most likely snap near the base under that sort of impact. See more »
Chan Ka Kui:
[after breaking Panther out of prison]
Okay, now down that road is a small village that leads to a town.
Chan Ka Kui:
[prepares to leave]
Where you going?
Chan Ka Kui:
Huh? They payed me $2,000 to get you out of there. The rest doesn't interest me.
Listen, I like you. You're a good man, and I could use someone like you. I'll take you to Hong Kong for something big.
Chan Ka Kui:
Hong Kong's too far, forget it. Just give me $500 more.
Here I haven't any money. But in Hong Kong, I've got millions - ...
[...] See more »
One of the best Hong Kong Martial Arts Buddy films ever - Yeoh is terrific!
I've never really been a great fan of Jackie Chan, often feeling that he somewhat downgrades the true force & meaning of pure martial arts. Instead he turns it into a caricature mixed with lots of excessive special effects such as flying through plate glass windows or jumping over cars on a motorbike.
I prefer the more natural, aethetic Bruce Lee when it comes to studied martial arts. He took the art far more seriously and didn't take it to extremes just for the sake of another "gee whiz" effect.
Jackie Chan DOES take his art just as seriously, (although not in a spiritual sense), this is proved by the number of near-death accidents he has received for the sake of his art over the years. He doesn't use stunt doubles very often and spends hours & hours going over potentially lethal special effects before finally performing them for us.
Police Story 3 is a superior Chan product, much better than his paper-thin stories as of late (although this could be down to the heavy Hollywood influence that perpetrates most of the latter films, and IMHO he is worse off for it).
PS3 is no different from his earlier films although on this occasion he has a more equally efficient lead in Michelle Yeoh, as his Chinese army partner.
Yeoh is a perfect foil for the extroverted yet dumb Chan. She screams screen presence, and her beautiful face belies her hidden deadly martial arts skills. And more significantly she, like Chan, very rarely uses stunt-doubles. (Best example is her jump onto a moving train while riding a motorcycle. Previously a stunt-double tried to do this but failed, ending up with a broken leg. But then Yeoh tried it and hey, perfect jump!)
Together they bring a more spirited edge to a rather humdrum story of drug traffiking. Chan isn't allowed to wallow in his ego because Yeoh is never far behind to push him out the way. The "buddy" chemistry works surprisingly well, perhaps because we have a woman who is truly independent and can definitely look after herself, thank you very much.
Chan does his usual stunts and his martial arts are good enough to get by with, although he is becoming just a tad predictable with more & more extravagant stunts for every new film. Which goes back to my earlier argument that he should really concentrate on the more natural side of his art and push all these boring pyrotechnics into the corner and let the character drive the story rather than the action sequences.
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