A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a ... See full summary »
Dennis Dimbleby Bagley is a brilliant young advertising executive who can't come up with a slogan to sell a revolutionary new pimple cream. His obsessive worrying affects not only his ... See full summary »
Richard E. Grant,
At night, baby-face Laura dresses up as a vamp and lets random guys at bars pick her up, just to drug and rob them later. But then someone starts stalking her, and a person close to her is ... See full summary »
Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
Carlos Quintas, the democratically-elected president of an unnamed South American country, has been deposed by a military coup. He is in London, the head of a government in exile, rallying ... See full summary »
For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other ... See full summary »
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: ... See full summary »
Manoel de Oliveira
Luís Miguel Cintra
A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a young blind woman named Helena, who he is attracted to. Meanwhile, a serial killer is on the loose and only John knows it. Written by
Director Bruce Robinson wanted composer Christopher Young to write the score for the film and the studio rejected him because of his lack of credits at that point. The studio then hired Maurice Jarre to write the music for the film who was their "lucky charm" after the success of films such as Ghost, Almost an Angel and School Ties and did not get along with Robinson, who felt that Jarre's music for the film did not fit what he was aiming for with the story. Young would be hired and after the first recording session, the studio backed off and agreed to the choice. See more »
The snow on the roof of the car disappears and reappears between shots. See more »
No, not the seventh sequel to "Jennifer, the Snake Goddess"
"Jennifer 8" is a passable thriller with an exceptional cast and a relatively cohesive story, but much like the "gialli" of Dario Argento, it's a film that doesn't have the good sense to quit while it's ahead, and expects to tie things up with a reveal that is just so much hastily-assembled pop-psychology cliché. Set in a pervasively dreary New England state, Andy Garcia plays a LA cop who's transferred in order to be under the command of mentor Lance Henriksen, and discovers a bloodied brassiere and a severed hand at the scene of an apparent suicide; thus is unearthed a casefile on a string of murders targeting blind women as a masked assailant goes back into action, stalking attractive music teacher Uma Thurman (who gives a performance better than the material deserves). While some of writer-director Bruce Robinson's plot points feel tangled (or lost completely) as the film progresses, and much of the staging is without flair (even a cat-and-mouse chase through a deserted dorm midway through doesn't play as suspensefully as it could have), the stellar cast really recoups the shortcomings, just barely earning my recommendation. While Andy Garcia's sometimes-frantic line readings and bug-eyed expressions make him a dubious choice for the lead, he plays well off his more seasoned costars, particularly Henriksen (whose profane, hard-boiled zingers remind us why he is one of cinema's best-kept character-actor secrets); additionally, John Malkovich shows up late in the game for a brilliantly-performed interrogation scene that, while seemingly extraneous to the ongoing plot, is nevertheless worth watching for the man's undeniable chops (like Charles Bronson, he basically plays the same character in each film--but does it quite well). And, as stated earlier, Thurman exudes the likability, intelligence, and beauty that would rightly launch her into stardom. As a thriller, "Jennifer 8" might be lower-drawer, but as an actor's showcase it holds up pretty well.
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