Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, ... See full summary »
In 1931, a young soldier (Fernando) deserts from the army and falls into a country farm, where he is welcomed by the owner (Manolo) due to his political ideas. Manolo has four daughters (... See full summary »
Fernando Fernán Gómez,
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia. Written by
Murray Chapman <firstname.lastname@example.org>
What is it about this movie that so many people love it and others hate it with the same intensity? Could it be the bestial nature of the sub-text? Do those who throw scorn on this piece of surrealistic tortilla live so far from their darker carnal nature that they have to express distaste, cast it out, make it shadow, unclean? This film comes from a long line of Spanish surrealist cinema. One could argue that surrealism on film had it's beginnings in Spain and is now only practiced in the Spanish speaking world with any degree of sophistication (barring perhaps David Lynch). So much of this film is iconic, totemic and archetypal. Bigas in fine Spanish culinary tradition makes a great paella with these icons, 'the lonely dry, dusty road', 'the arid landscape with its passionate inhabitants', 'the machismo homo-erotica of bullfighting', 'the domineering matriarch', 'the loving whore', 'the battle of the hams' and the list goes on. Maybe if you haven't been to central Spain you won't have touched and tasted these oh so familiar dishes but they exist throughout societies. In Spain they just turned them into cultural landmarks, olé. The only reason for the lower rating of this is that Bigas Luna surpassed this film a couple of times with 'Golden Balls' and the simply brilliant 'Tit and the Moon'
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