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Innocent Blood (1992)

R  |   |  Comedy, Crime, Horror  |  25 September 1992 (USA)
6.2
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Ratings: 6.2/10 from 7,112 users  
Reviews: 71 user | 32 critic

Marie is a vampire with a thirst for bad guys. When she fails to properly dispose of one of her victims, a violent mob boss, she bites off more than she can chew and faces a new, immortal danger.

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Title: Innocent Blood (1992)

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Cast

Cast overview, first billed only:
...
...
Lenny
...
Gilly
...
Tony
...
Joe Gennaro
...
Sallie (The Shark) Macelli
...
Jacko
Tony Lip ...
Frank
...
Ray
Marshall Bell ...
Marsh
...
Dave Flinton
Rohn Thomas ...
Coroner
...
U.S. Attorney Sinclair
...
...
Emmanuel 'Manny' Bergman
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Storyline

Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to develope a relationship with the policeman who has been trying to put Sal away. Sal wakes up in the morgue very confused and very thirsty. He goes back to his old haunts and begins to create an organized crime family of vampires while Marie and her policeman lover hunt him. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Horror meets humor, humor meets dead-on special effects, and boy meets ghoul in "Innocent Blood". See more »


Motion Picture Rating (MPAA)

Rated R for vampire violence, and for sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 September 1992 (USA)  »

Also Known As:

A French Vampire in America  »

Filming Locations:

 »

Box Office

Gross:

$4,972,818 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Landis:  [SYNW]  advertised on the marquee across the street from the Melody Lounge exotic dance bar. The car crash at the Shadyside gas station scene was filmed in Squirrel Hill, and the nearby multiplex cinema changed its marquee to be "See You Next Wednesday" every night after closing. The movie itself featured no footage of that theater (or the street it's on), although it's possible that it was edited out. See more »

Goofs

When Manny (in hospital) dies and becomes a vampire, his heart briefly stops, causing the EKG to sound an alarm before it starts beating again. He then wakes up and detaches the EKG leads, which ought to trigger another alarm but does not. See more »

Quotes

Marie: When you are alone eternally, you live for the comfort of the senses: food, sex. I'd become very selective and it was getting harder for me to find food, even living in the city. My choosiness about food cost me my lover, and without him there is no sex.
See more »

Crazy Credits

The story, all names, characters and incidents portrayed in this production are fictitious. No identification with actual persons, vampires, places, buildings and products is intended or should be inferred. See more »

Connections

Referenced in Ha die Pa!: De Staking (1993) See more »

Soundtracks

Sexitivity
Written and Performed by Carl Sturken and Evan Rogers
Performed by Rhythm Syndicate
Courtesy of Impact Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Featherweight dark comedy about a sexy bloodsucker, though exceptionally well-done
7 October 2006 | by (las vegas, nv) – See all my reviews

John Landis is not the type of director who goes for any deeper meaning in his films outside of the occasional well-staged car chase in heavy traffic; however, this time, working with Michael Wolk's first-rate screenplay, he excels in narrative as well as in visual form. An undercover cop in Pittsburgh, posing as a thief for the Mob, becomes attracted to the scintillating French woman who is hellbent on killing kingpin Robert Loggia (seems she's a bloodsucker by night--and forgot to "finish the food" the evening she put the bite on Loggia's Sal the Shark!). Not terribly bright, but full of puckish black humor and one exciting, masterfully staged sequence after another. And when things calm down a bit, as with the motel sequence between hot twosome Anne Parillaud and Anthony LaPaglia, Landis is adept at smoothly changing the movie's rhythm. It's an impressive, gory, foul-mouthed, yet adrenalized and satirical piece of work, Landis' best. *** from ****


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