Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him and his job is dull. One night he starts to drive through Los Angeles and he finally ends in the parking ... See full summary »
Susan wants her reprehensible ex-husband dead and, in several bungled attempts by henchmen, tries to accomplish the deed. First her boyfriend hires two dim-witted hitmen. Then she hires a ... See full summary »
Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to develope a relationship with the policeman who has been trying to put Sal away. Sal wakes up in the morgue very confused and very thirsty. He goes back to his old haunts and begins to create an organized crime family of vampires while Marie and her policeman lover hunt him. Written by
John Vogel <email@example.com>
John Landis: [SYNW] advertised on the marquee across the street from the Melody Lounge exotic dance bar. The car crash at the Shadyside gas station scene was filmed in Squirrel Hill, and the nearby multiplex cinema changed its marquee to be "See You Next Wednesday" every night after closing. The movie itself featured no footage of that theater (or the street it's on), although it's possible that it was edited out. See more »
When Manny (in hospital) dies and becomes a vampire, his heart briefly stops, causing the EKG to sound an alarm before it starts beating again. He then wakes up and detaches the EKG leads, which ought to trigger another alarm but does not. See more »
When you are alone eternally, you live for the comfort of the senses: food, sex. I'd become very selective and it was getting harder for me to find food, even living in the city. My choosiness about food cost me my lover, and without him there is no sex.
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Vice President of the United States Dan Quayle See more »
Featherweight dark comedy about a sexy bloodsucker, though exceptionally well-done
John Landis is not the type of director who goes for any deeper meaning in his films outside of the occasional well-staged car chase in heavy traffic; however, this time, working with Michael Wolk's first-rate screenplay, he excels in narrative as well as in visual form. An undercover cop in Pittsburgh, posing as a thief for the Mob, becomes attracted to the scintillating French woman who is hellbent on killing kingpin Robert Loggia (seems she's a bloodsucker by night--and forgot to "finish the food" the evening she put the bite on Loggia's Sal the Shark!). Not terribly bright, but full of puckish black humor and one exciting, masterfully staged sequence after another. And when things calm down a bit, as with the motel sequence between hot twosome Anne Parillaud and Anthony LaPaglia, Landis is adept at smoothly changing the movie's rhythm. It's an impressive, gory, foul-mouthed, yet adrenalized and satirical piece of work, Landis' best. *** from ****
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