This story is set in 1930, at the time when French colonial rule in Indochina is ending. An unmarried French woman who works in the rubber fields, raises a Vietnamese princess as if she was... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
This story is set in 1930, at the time when French colonial rule in Indochina is ending. An unmarried French woman who works in the rubber fields, raises a Vietnamese princess as if she was her own daughter. She, and her daughter both fall in love with a young French army officer, which will change both their lives significantly. Written by
In some ways, the most informative of the 'Vietnam-era' movies..
I've seen at least 10-20 post-Vietnam movies, nearly all concentrating on the war or the aftermath of a war in a country that most Americans know absolutely nothing about (including me).
What a relief it was to learn something about the years of mistreatment Indo-Chine (or Vietnam) suffered at the hands of the French colonists who seem to have the 'reverse-Midas-touch' when it comes to their land possessions. Then again, I suppose this is the way of all colonists who invariably mistreat their 'possessions'..
The acting was terrific by all involved. Learning the pre-war background behind the extreme North/South polarizations and seeing all the strife that's touched Vietnam was the best lesson I've yet gleaned from any Vietnam movie.
I think a cure has finally been developed for Oliver Stone.
As high a rating as possible.
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