Directed by | |||
| Jean-Jacques Beineix | |||
Writing credits | ||
| Jacques Forgeas | (original scenario) | |
| Jean-Jacques Beineix | (adaptation) & | |
| Jacques Forgeas | (adaptation) | |
Produced by | |||
| Jean-Jacques Beineix | .... | producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Jean-François Robin | |||
Film Editing by | |||
| Joëlle Hache | |||
Casting by | |||
| Gérard Moulévrier | |||
Production Design by | |||
| Dan Weil | |||
Set Decoration by | |||
| Ambre Fernandez | |||
Costume Design by | |||
| Emmanuelle Steunou | |||
Makeup Department | |||
| Antoine | .... | hair stylist | |
| Judith Gayo | .... | makeup artist | |
Production Management | |||
| Jérôme Chalou | .... | production manager | |
| Philippe Chaussende | .... | unit manager: Pyrénées | |
| Frédérick Coutant | .... | assistant unit manager | |
| Marc Guidetti | .... | assistant unit manager: Pyrénées | |
| Yann Le Neures | .... | apprentice unit manager | |
| Gilles Radenac | .... | apprentice unit manager | |
| Coralie Roy | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Martine Bernath | .... | assistant director | |
| Pierre Minot | .... | second assistant director | |
Art Department | |||
| Jean-Paul Arnaudet | .... | construction coordinator | |
| Xavier Buffin | .... | painter: decorations | |
| Bruno de Dieuleveut | .... | storyboard artist | |
| Patrice Fasola | .... | on-set painter | |
| Isabelle Filleul de Brohy | .... | set dresser | |
| Jean-Claude Frequin | .... | key carpenter | |
| Jean-Pierre Gaillot | .... | swing gang | |
| Delphine Garnier | .... | graphic artist | |
| Christian Gazio | .... | property master | |
| Henri Jorand | .... | on-set painter | |
| François Lallier | .... | swing gang | |
| Stéphane Le Lièvre | .... | painter: decorations | |
| Cyrille Perron | .... | key painter | |
| Christine Rey | .... | upholsterer | |
| Nicolas Richez | .... | first assistant decorator | |
| Nathalie Sarret | .... | painter: decorations | |
| Dan Weil | .... | set designer | |
Sound Department | |||
| Pierre Befve | .... | sound | |
| Pascal Chauvin | .... | foley artist | |
| Gérard de Lagarde | .... | sound effects | |
| Pascal Dedeye | .... | assistant foley artist | |
| Michel Filippi | .... | foley editor | |
| Jean Gargonne | .... | sound | |
| Xavier Griette | .... | boom operator | |
| Dominique Hennequin | .... | sound | |
| Michel Kharat | .... | foley boom operator | |
| Joël Rangon | .... | assistant sound mixer | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
Camera and Electrical Department | |||
| Guy Canu | .... | key grip | |
| Thierry Canu | .... | additional grip | |
| Isabelle Casez | .... | third assistant camera | |
| Nathalie Chassang | .... | second assistant camera | |
| Ariane Damain | .... | third assistant camera | |
| Pierre Darmont | .... | additional electrician | |
| Olivier de Pessemier | .... | electrician | |
| Germain Desmoulins | .... | first assistant camera | |
| Laurent Duquesnoy | .... | grip | |
| Michel Gonckel | .... | gaffer | |
| Rodolphe Gonckel | .... | additional electrician | |
| Guy Guermouth | .... | best boy gaffer | |
| Claude Pillas | .... | grip | |
| Marcel Renult | .... | grip | |
| Laura Resen | .... | still photographer | |
| Alain Tanguy | .... | additional electrician | |
| Michel Védié | .... | electrician | |
| Michel Zabreski | .... | crane operator: Louma crane | |
Casting Department | |||
| Pascale Béraud | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Chantal Glasman | .... | costumer | |
Editorial Department | |||
| Katya Chelli | .... | assistant editor | |
| Patrick Crucy | .... | color timer | |
| Maryline Monthieux | .... | assistant editor | |
| Clara Ott | .... | assistant editor | |
| Valérie Pasteau | .... | apprentice editor | |
| Christian Phan-Trong-Tuan | .... | apprentice editor (as Christian Phan) | |
| Pascale Santonja | .... | apprentice editor | |
| Morganne Spacagna | .... | assistant editor | |
| Anne Vatinel | .... | apprentice editor | |
Music Department | |||
| Denis Brandon | .... | musician: jodler | |
| Jean-Claude Dubois | .... | orchestra director | |
| Christophe Guiot | .... | score unit manager | |
| Mohamed Larbi | .... | oriental music director | |
| Hervé Le Coz | .... | musician | |
| Hervé Le Coz | .... | score engineer | |
| Guy Maxens | .... | ballroom orchestra director | |
| Jean-Louis Mongin | .... | country music director | |
| Georges Rodi | .... | musician | |
| Gabriel Yared | .... | musician | |
Transportation Department | |||
| Georges Dognon | .... | production driver | |
Other crew | |||
| Virginie Amet | .... | production assistant | |
| Jean-Patrick Barrué | .... | technical supervisor | |
| Rémy Boudet | .... | apprentice director | |
| Nadine Chaussonnière | .... | location scout | |
| Nicole Cobac | .... | production administrator | |
| Marie-Laure Compain | .... | production secretary | |
| Bruno Delbonnel | .... | Pyrénées team | |
| Darco 'FBI' Geller | .... | consultant: graphics | |
| Catherine Harleux | .... | Pyrénées team | |
| Michel Karyo | .... | stage manager | |
| Bénédicte Kermadec | .... | script supervisor | |
| Deden Krouchi | .... | location manager | |
| Nadine Lermite | .... | coach sekkou | |
| Sylvie Leroux | .... | documentation tag | |
| Gabrielle Mairesse | .... | press attache | |
| Christophe Messaoudi | .... | rain effects | |
| Arnaud Rabier | .... | tag advisor | |
|
|
|
|
|
| The Rules of the Game | The Craft | Adieu Babylone | The Soft Skin | Bon voyage |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
I saw this at the 1991 Seattle film fest and never heard of it being in cinemas in the US. I should think it would do very well even now. Imagine getting the whole graffiti artist, skater crowd to come to see a French film! They would. Even the title would attract a lot of the hip-hop culture, IP5, sounds pretty contemporary to me! Build it and they will indeed come.
Wonderful film: the production design, dialog, the cinematography & casting are all very, very good. Perhaps this film toured the American college film program circuit in 16mm, not sure. This film really needs to be on DVD so that more people can see it. I imagine the politics & money thing are the reasons it didn't make the natural leap from VHS to DVD.