When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Encounter of three social classes of the England at the beginning of the century : the victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money ; the enlightened bourgeois (the Schlegels), humanistic and philanthropist ; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts. Written by
The country house used as the location for Howards End is actually over twice as large as seen from the front and partial side views used in the film. It is H-shaped, with a large back portion that the family that owned it moved into during filming, while the front portion was emptied and refinished. (The landscaping was also redone, with flowers and plants more true to the story's period.) The home is owned by friends of the movie's production designer, Luciana Arrighi, and it occurred to her it would make a good stand-in for Howard's End while she was a house guest there. See more »
In the last "farewell" scene, after Helen took her baby in hear arms she wanted to hold the farmer's boy's hand but instead the boy, I believe mistakenly, chose to wave the Wilcox family members who were leaving the Howards End. See more »
Dearest Meg, I'm having a glorious time. I like them all. They are the very happiest, jolliest family that you can imagine. The fun of it is that they think me a noodle, and say so - at least, Mr. Wilcox does. Oh Meg, should we ever learn to talk less.
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"Howards End" is certainly one of the best films of the last decade. I have seen this film several times over the past 7 years and each time I find myself in complete awe. I love how its intricate story gradually unfolds layer by layer, involving us more and more with the characters. "Howards End" also boasts breath-taking cinematography by Tony Pierce-Roberts and a rousing and rueful musical score by Richard Robbins.
The ensemble cast is perhaps the best reason to see this film. Emma Thompson won the Best Actress Oscar for her performance, and deservedly so! This is her best performance and her best film, in my opinion. I loved watching the character development in her portrayal of Margaret Schlegel, as she transforms from an open-minded intellectual to a class-conscious social climber. What's remarkable is that we still feel for her greatly as she is going through this transition. She still remains a sympathetic character up until the very end when she slowly comes back to her senses.
Anthony Hopkins also gives one of his best performances as the cold and hypocritical Henry Wilcox. So many scenes shed different lights onto his character. The scene where he proposes to Margaret stands out in particular. There is plenty of erotic tension, but at the same time it almost feels like he is making some sort of impersonal business venture with her.
Vanessa Redgrave is a presence to behold as the fragile Ruth Wilcox. Her performance may be brief, but it leaves an indelible mark, particularly in later scenes when Margaret visits Howards End. Helena Bonham Carter should have gotten an Oscar nomination for her performance. She really has great depth and passion that is well-suited to her character. The rest of the supporting cast is superb. Even the minor characters like Nicola Duffet's Jackie Bast and Jemma Redgrave's stony-faced Evie Wilcox are noteworthy.
"Howards End" is one of the richest, most nuanced films I have seen. It is beautifully shot, well-acted, and exquisitely directed. It deserves to be considered a classic.
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