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Howards End (1992)

 -  Drama | Romance  -  13 March 1992 (USA)
7.5
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Ratings: 7.5/10 from 18,743 users   Metascore: 87/100
Reviews: 82 user | 48 critic | 9 from Metacritic.com

A businessman thwarts his wife's bequest of an estate to another woman.

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(novel), (screenplay)
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Title: Howards End (1992)

Howards End (1992) on IMDb 7.5/10

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Won 3 Oscars. Another 33 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Joseph Bennett ...
Paul Wilcox
...
...
Adrian Ross Magenty ...
Tibby Schlegel
Jo Kendall ...
Annie
...
...
Charles Wilcox
...
Evie Wilcox
Ian Latimer ...
Stationmaster
...
Mary Nash ...
Pianist
Siegbert Prawer ...
Man Asking a Question
...
Dolly Wilcox
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Storyline

Encounter of three social classes of the England at the beginning of the century : the victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money ; the enlightened bourgeois (the Schlegels), humanistic and philanthropist ; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts. Written by Yepok

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild language, violence and sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

13 March 1992 (USA)  »

Also Known As:

Casa Howard  »

Box Office

Gross:

$25,967,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Anthony Hopkins was the first actor cast for the movie. In an interview with Ivory & Merchant on the Merchant Ivory Collection DVD, Ivory says he passed a copy of the script to Anthony Hopkins via a Sound Editor for The Silence of the Lambs (1991) that he knew, "Thereby bypassing all the agents all over the place." Anthony read the script and told Ivory he was very interested in taking the role. See more »

Goofs

When Charlie and Dolly Wilcox are hiding from Margaret Schlegel in the castle, the scene closes with low angle wide shot of the castle with a view of the sky behind it, revealing several aircraft contrails. There were no aircraft capable of leaving high-altitude contrails in the time period this movie is set in. See more »

Quotes

[first lines]
Margaret Schlegel: [reading letter] Dearest Meg, I'm having a glorious time. I like them all. They are the very happiest, jolliest family that you can imagine. The fun of it is that they think me a noodle, and say so - at least, Mr. Wilcox does. Oh Meg, should we ever learn to talk less.
[laughing]
See more »

Connections

Referenced in Everybody Loves Raymond: Your Place or Mine? (1996) See more »

Soundtracks

Mock Morris
Music by Percy Grainger
Courtesy of Schott & Co., Ltd.
Performed by Martin Jones
See more »

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User Reviews

Superb!! Or perhaps you just don't get it...
28 July 2003 | by See all my reviews

...and I must admit that on the first viewing, I didn't get it myself.

I'm one of those relative rarities: a straight male that normally enjoys Merchant-Ivory productions. However, I disliked this movie on first viewing (several years ago). In retrospect, I can see that I was not reacting to the movie, but my intense dislike for Anthony Hopkins' character.

I watched it again the other night and was absolutely blown away by it. What a film! Emma Thompson won Best Actress for her performance, and she did her usual terrific job, but frankly I was more impressed by the performance of Helena Bonham Carter. The style of the film is magnificent.

This is a story (like most of E. M. Forster's) about the injustices of class distinctions. However, with a subtlety that I missed on my first viewing, this film is also about karma (what goes around - comes around) and a story of social progress. This film is set in a time when society is coming out of the Victorian age and into the Edwardian. You see contrasts of the past thinking with the progressive thinking all through the movie. A visual metaphor is repeated over and over: the turning of cranks, whether it be on a new-fangled morse code machine, a vintage car, or the wheels of a mighty locomotive. I believe that this represents both karma and progress, forces which Forster sees as unstoppable as the laws of nature.

This is an incredible story, and an incredible piece of film-making.


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For being found 'starving' Jacky was quite chubby sweet-ass-gal
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Merchant and Ivory at their best f-berlivet
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