9 items from 2015
Oscar winner Penelope Cruz (Vicky Cristina Barcelona, Pirates Of The Caribbean: On Stranger Tides) and Diane Kruger (Inglorious Basterds, National Treasure) are in final negotiations to star in the romance feature film This Man, This Woman, to be directed by Isabel Coixet whose new film Nobody Wants The Night opens the 2015 Berlin International Film Festival, it was announced today by Fortitude International co-founders, Nadine de Barros and Robert Ogden Barnum, and producer Mike Lobell (The Freshman, Striptease).
Fortitude International is financing the film and will handle foreign sales on the project being introduced to buyers at the European Film Market in Berlin next month.
De Barros and Barnum serve as executive producers. Lobell is producing the film.
CAA is representing domestic rights.
An estranged man, Matt Heller, and a woman, Martha Parks (Cruz »
- Michelle McCue
This little vampire makes you believe she can bite, wrestle and choke a man twice her size to death. It’s like a trip back to...
For those veteran theatergoers who saw Paris but didn’t visit the Grand Guignol before it closed shop in 1962, the new stage adaptation of John Ajvide Lindqvist’s novel and screenplay “Let the Right One In” is a must-see. Stage director John Tiffany offers some superb reincarnations of the bloodsucking and bloodletting that distinguishes Tomas Alfredson’s 2008 vampire film, and he adds another grizzly touch, inspired by Brian De Palma, that will shock no »
- Robert Hofler
Unlike most years, there is no clear frontrunner for the Best Musical Tony Award for 2014-15. Last season, the battle lines were clearly drawn between "A Gentlemen’s Guide to Love and Murder" and "Beautiful: The Carole King Musical," with the former, a critical darling, emerging victorious over the latter, a popular jukebox musical. This season, no strong candidates have emerged so far because only one new musical -- "Honeymoon in Vegas," the stage version of the 1992 film comedy with Tony Danza starring in the James Caan role -- is still running. -Break- There have only been two other original musicals to have opened on Broadway, both with pedigrees from the pop music world: "Holler If Ya Hear Me" and "The Last Ship." "Holler" employed the music and lyrics of the late rapper Tupac Shakur to tell the story of an ex-con’s attempts to go straight. It got blasted »
The drama can be described as “Whiplash” meets “The Heiress,” as the writer goes straight for the jugular through the heart
jugularAside from the fact that Halley Feiffer could be writing about herself and her famous father, Jules Feiffer, the new play “I’m Gonna Pray for You So Hard,” is funny, scary, and completely over the top in its own right.
“I’m Gonna Pray,” which opened Tuesday at Atlantic Stage 2 in New York, doesn’t need the Feiffer backstory to be enjoyed, although it is a pleasure in the play’s first few minutes to eavesdrop on what »
- Robert Hofler
Taxi alums Danny DeVito, Judd Hirsch, Carol Kane, Marilu Henner, James Burrows, Christopher Lloyd, Rhea Perlman, and co-creator James L. Brooks all turned out for their former cast maste Tony Danza’s star turn in Honeymoon in Vegas last night. After a post-show party at Hard Rock Café, the whole gang sat together at a long table, chatting and dancing late into the night. “Those are the people I started with,” Danza told Vulture. “Those are the people who accepted a fighter from New York who never acted before on their TV show." He added, "I’m serious. That acceptance, that welcoming, is why I'm here. And so, for me, it was an incredible thing to have them here.” »
- Bennett Marcus
There’s an old Hollywood truism that good movies are made from second-rate books, not the classics. On Broadway, the new musical “Honeymoon in Vegas,” which opened Thursday at the Nederlander Theatre in New York, uses a second-rate movie from 1992 for its source material. Have its makers been able to turn it into a good musical? Or is this one effort that should have stayed in Vegas?
- Robert Hofler
The new musical Honeymoon in Vegas is a throwback, and not just because it’s based on a 1992 movie that was, even then, somewhat retrograde in its humor. Cancel the “somewhat”: The plot hinges on a man trying to discharge a gambling debt by pimping out his fiancée. Presumably, the backwardness of this affectionate glance at ring-a-ding-dingism was intentional; the screenplay by Andrew Bergman, who also directed, mines its humor from the kind of character who would exact such a deal (a slimebag named Tommy Korman) and the kind of character who would accept it (a commitment-phobic mama’s boy named Jack Singer). Naturally, the girl herself, Betsy Nolan, though the apex of the triangle, was not so interesting. She was just hot.Turning this material into a Broadway musical was bound to add yet another layer of irony, but when applied well and rubbed hard, a good lacquer »
- Jesse Green
Exclusive: To get to Tony Danza’s dressing room at the Nederlander Theatre, where he stars in the new Broadway musical Honeymoon in Vegas, you walk a corridor that circles the perimeter of the ancient house, where trash cans line one wall, and graffiti scrawled by Rent cast members dominates the other. Climb a set of stairs, and then there is the star’s cold perch, one that would barely provide room for Michael Keaton’s Birdman levitation act.
You imagine how much smaller this must be than the giant trailers where Danza spent most of his adult life in Taxi and Who’s The Boss. And then he emerges, euphoric and still sweaty after two hours of singing, tap dancing, even serenading with a love song while playing the ukulele, and he looks like a small Brooklyn kid whose parents took him to Coney Island. He has just completed »
- Mike Fleming Jr
Honeymoon in Vegas is the latest movie to take a gamble on Broadway as a re-invented musical, and the man who should be the most excited is the film’s screenwriter, who took the reins on bringing his 1992 comedy to the stage. (The Jason Robert Brown-scored musical opens Jan. 15.) Though it’s Andrew Bergman’s first time writing a musical, the writer-director boasts a film resume that should inspire any movie lover to nod his or her head in reverential pleasure. Bergman’s credits pull from across the board of comedy icons—Mel Brooks in Blazing Saddles, Peter Falk and Alan Arkin in The In-Laws, »
- Marc Snetiker
9 items from 2015
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