Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single ... See full summary »
Jack Nicholson's portrait of Union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro (Danny DeVito). The film follows Hoffa through his countless battles with the RTA and President Roosevelt all the way to a conclusion that negates the theory that he disappeared in 1975. Written by
In the part of the film where Hoffa (Jack Nicholson), Bobby (Danny DeVito), and Delasandro (Armand Assante)have their meeting out in the woods. The scene begins with Bobby sitting in a woody wagon and placing an empty beer bottle on a post before driving down to meet Hoffa. In a scene that followed, but was cut, Bobby gave Delasandro a hunting rifle. Delasandro then tried and failed to shoot the beer bottle off of the post. Hoffa then shoots the bottle off in one shot, upstaging Delasandro. See more »
When Hoffa is elected president of the Teamsters, the band plays the song "Hey, Look Me Over" from the Broadway musical "Wildcat". Hoffa was elected in 1957; "Wildcat" premiered in 1960. See more »
While it is one of Nicholson's most challenging roles, as a viewer you find yourself more attached to director and co-star DeVito, who practically sunk every penny he owned into the making of this film. While the film did garner some Golden Globe nominations, altogether the film was a commercial and personal flop for all involved. The problem may have been that the world was not ready for this story. Nicholson is quite good as Hoffa, but one almost ignores the performance when you think of the personal attachment director DeVito had to the project. It is quite unfortunate because DeVito is interesting in a rare dramatic role. David Mamet did write a fine script and there is fine support from J.T.Walsh, Robert Prosky and Armand Assante.
In ten years, this film will be a classic!
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