Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world.
Gary J. Tunnicliffe
Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way. Written by
Ed Sutton <firstname.lastname@example.org>
In homage to the the first Hellraiser movie, J.P says "Come to daddy" to Terri, which is Frank's famous line from the first movie. See more »
When Pinhead is just about to start killing everyone in The Boiler Room night club, a man catches the first hooked chain that Pinhead unleashes. Yet when you look closely as you see the man holding the chain there is no hook, but a piece of wire. See more »
[referring to the Pillar of Souls]
You want it?
Is it yours?
No. Not mine. Yours.
How much you want for it?
Whatever you think it's worth.
Exactly the figure I had in mind. Take pleasure in it.
See more »
Sensing a chance for a real story, a newswoman stumbles upon a sociopath art dealer who's in possession of the box that summons Pinhead and his demons and forces her to find its origins to finally defeat him.
Frankly, this one is one of the most underrated efforts in the series. Among the many positives here is the fact this one finally manages to uncover the real past involving Pinhead and his connection to the box which causes this to really connect the series together. By doing that in accordance with the heavy use of action within this, as there's no shortage of exciting, high-energy action scenes, this one is packed to the brim with exciting elements. The opening hospital scene that sets up the cause to investigate the nightclub, the first encounter in the bedroom with the Pinhead statue, the gradual realization of the friends turned into the new Cenobites and the massacre at the nightclub are just some of the rather impressive and exciting action through this, and each one tends to get all the more exciting by gaining in spectacle that causes all the rather enjoyable fun throughout. Of course, the real spectacle here is the mad dash through the streets where there's non-stop threats on display, from the initial attacks like the possessed power-lines and charged water chasing after her to the blasting eruptions underground and finally the appearance of the Cenobites which lead s to all sorts of chaos as their new-found powers are put on display against the few passersby left on the street as well as trying to contain her running down the street. This is a lot of fun and really gets the kind of exceptionally enjoyable and gory action-packed sequence that scores quite well as a show highlight as well. There's also the rather fun feature of having Pinhead around for quite a bit of screen-time being ably rewarded with him fully getting those glorious monologues and dementedly enjoyable quips that he goes through on the others, and the ones in here are among the better ones in the series due to all the extra time he has. That also gives him some fine extra scenes as the tormenting of the priest in the church and the release from the statue which really completes this one quite well. The only thing that really hurts this one is the battle in the secondary dimension that really just amounts to all sorts of posturing without really doing anything and is filled with some lame special effects throughout despite being quite impressive the rest of the film. It's the only real flaw in this one.
Rated R: Graphic Violence, Graphic Language, Brief Nudity, a sex scene and mild drug use.
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