British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
The Earth is headed for disaster and when an archeological research team visits Infant Island to find out why, they discover two tiny women who reveal that the Earth is fighting back for all the harm humans have done here and sends out the evil Battra to destroy us. The Cosmos, as the girls are called, offer their help by calling Mothra to battle the creature. Unfortunately, Godzilla also appears and a three way battle begins that threatens to destroy Japan. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
With 4.2 million tickets sold, this movie at the time had the highest attendance among Godzilla films since King Kong vs. Godzilla (1962), which sold about 12 million tickets. See more »
When Battra first makes landfall, as the terrified Japanese pedestrians are running for their lives, take note of a woman to the right of the screen wearing a brown pant suit and carrying a black purse. She is still running in the next crowd scene on the sidewalk. The next time we see her, she is running up the stairs from the subway, having apparently taken the "A" train to escape the rampaging monster. See more »
[using her psychic powers to locate Cosmos]
Wait, turn off the radio! I can hear it... their song... it's close!
See more »
With this movie of the Heisei (1980s-1990s) series, I think Toho studios was on a role. With cool special effects and beautiful music, this became one of the top 10 grossing Godzilla movies. Who wouldn't like to see a rematch between Godzilla and Mothra. This movie is an update of the 1964 version of "Mothra vs. Godzilla."
Mothra's egg is exposed after a storm (or meteorite) hits it. A trio of explorers try to bring the egg to Japan under the influence of a greedy entrepreneur (sound familiar?). Godzilla appears out of the ocean to attack the explorers' ship, which is hauling the egg. The egg hatches into Mothra and the two do battle. The Peanuts, who played Mothra's twin priestesses in the 1964 movie, were succeeded by the Cosmos. They talk in unison, as usual. Dressed in pink with braided hairs and wearing Mothra signs, they bring back the traditional "Mothra's Song." If you're interested on buying a Godzilla soundtrack, see if you can track down the record version of this song, performed by the Cosmos with music by Akira Ifukube. It rocks! The song is sing in Malaysian, as always. However, in the record version, the Cosmos sing a verse of the song in Japanese. With echoing concepts from the original film this movie introduced a new monster, Battra (Mothra's evil twin), who is out to destroy earth but ended up helping Mothra battle Godzilla. How depressing to see the main guy Takuya (Indiana Jones?) in the film rooting for Mothra and Battra while battling Godzilla at an amusement park with his annoying ex-wife Masako and his irritating daughter Midori. She talks to the Cosmos and Mothra like she was talking to any human being. Where's her astonishment? Somebody should buy her a Godzilla toy and send her home!
Plenty of monster action, but I would have like to see Godzilla stomp on the city more and Mothra and Battra take a few more beatings from Godzilla, to the shock of the humans watching. And, I would have liked to see the Cosmos and their purpose emphasized more positively. They care for the Earth and wanted to appeal to its leaders to save the environment, but then again call for Mothra to save them from the entrepreneur while destroying Tokyo in the process??
Many of the characters in this movie is a little off-the-wall, with the exception of Miki Saegusa. She delivered another solid performance, helping to enhance the suspense of this story. She uses her psychic powers again, this time to track down the Cosmos.
Some sounds effects were a little off, like Godzilla's radiation beam sounding like it needs tuning and the larvae stage of Mothra sounds like it is on roller skates. But hey, this Godzilla flick is an satisfactory source of entertainment on a boring, weary weekend.
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