When an ancient statue is moved for display in Expo '70, a giant, vaguely Triceratops-like monster is released. The monster goes to Japan in pursuit of the statue and ends up battling Gamera, the giant flying turtle.
The Earth is headed for disaster and when an archeological research team visits Infant Island to find out why, they discover two tiny women who reveal that the Earth is fighting back for all the harm humans have done here and sends out the evil Battra to destroy us. The Cosmos, as the girls are called, offer their help by calling Mothra to battle the creature. Unfortunately, Godzilla also appears and a three way battle begins that threatens to destroy Japan. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
This film's origin went back to 1990 with the concept Mothra Vs. Bagan. The film would include battles all across Asia in places like Shanghai and Bangkok. However, when Gojira tai Biorante (1989) failed, Toho blamed the fact that an unfamiliar monster was used and this project was put on hold to give Godzilla another shot with Gojira tai Kingu Gidora (1991). See more »
When the larva Mothra bites Godzilla's tail in the ocean, look closely at the base of the tail as it's tossing Mothra upwards. You can clearly see the tail is a separate prop on some kind of support that has distorted it's shape - widening it unnaturally. See more »
With this movie of the Heisei (1980s-1990s) series, I think Toho studios was on a role. With cool special effects and beautiful music, this became one of the top 10 grossing Godzilla movies. Who wouldn't like to see a rematch between Godzilla and Mothra. This movie is an update of the 1964 version of "Mothra vs. Godzilla."
Mothra's egg is exposed after a storm (or meteorite) hits it. A trio of explorers try to bring the egg to Japan under the influence of a greedy entrepreneur (sound familiar?). Godzilla appears out of the ocean to attack the explorers' ship, which is hauling the egg. The egg hatches into Mothra and the two do battle. The Peanuts, who played Mothra's twin priestesses in the 1964 movie, were succeeded by the Cosmos. They talk in unison, as usual. Dressed in pink with braided hairs and wearing Mothra signs, they bring back the traditional "Mothra's Song." If you're interested on buying a Godzilla soundtrack, see if you can track down the record version of this song, performed by the Cosmos with music by Akira Ifukube. It rocks! The song is sing in Malaysian, as always. However, in the record version, the Cosmos sing a verse of the song in Japanese. With echoing concepts from the original film this movie introduced a new monster, Battra (Mothra's evil twin), who is out to destroy earth but ended up helping Mothra battle Godzilla. How depressing to see the main guy Takuya (Indiana Jones?) in the film rooting for Mothra and Battra while battling Godzilla at an amusement park with his annoying ex-wife Masako and his irritating daughter Midori. She talks to the Cosmos and Mothra like she was talking to any human being. Where's her astonishment? Somebody should buy her a Godzilla toy and send her home!
Plenty of monster action, but I would have like to see Godzilla stomp on the city more and Mothra and Battra take a few more beatings from Godzilla, to the shock of the humans watching. And, I would have liked to see the Cosmos and their purpose emphasized more positively. They care for the Earth and wanted to appeal to its leaders to save the environment, but then again call for Mothra to save them from the entrepreneur while destroying Tokyo in the process??
Many of the characters in this movie is a little off-the-wall, with the exception of Miki Saegusa. She delivered another solid performance, helping to enhance the suspense of this story. She uses her psychic powers again, this time to track down the Cosmos.
Some sounds effects were a little off, like Godzilla's radiation beam sounding like it needs tuning and the larvae stage of Mothra sounds like it is on roller skates. But hey, this Godzilla flick is an satisfactory source of entertainment on a boring, weary weekend.
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