The Best Intentions
(1992)
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The Best Intentions
(1992)
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| Cast overview, first billed only: | |||
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Samuel Fröler | ... | |
| Pernilla August | ... | ||
| Max von Sydow | ... | ||
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Ghita Nørby | ... | |
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Lennart Hjulström | ... |
Disponent Nordenson
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Mona Malm | ... |
Alma Bergman
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| Lena Endre | ... | ||
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Keve Hjelm | ... |
Fredrik Bergman
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Björn Kjellman | ... | |
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Börje Ahlstedt | ... | |
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Hans Alfredson | ... |
Kyrkoherde Gransjö
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Lena T. Hansson | ... |
Magda Säll
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Anita Björk | ... |
Drottning Victoria
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Elias Ringquist | ... | |
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Ernst Günther | ... |
Freddy Paulin
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The story of Ingmar Bergman's parents. In 1909, poor theology student Henrik Bergman falls in love with Anna Åkerbloom, the daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. After a few years Anna can't stand living in the rural county with the uncouth people. She returns to Uppsala, Henrik stays in the north. Written by Robert Stroetgen <stroetgen@rrz.uni-hamburg.de>
Having seen at least a couple dozen Bergman films, this biographical movie made a lot more sense to me than if I hadn't. I could see bits and pieces of his other films, particularly parallels with Fanny and Alexander. This movie was written by but not directed by Ingmar Bergman and tells about a portion of his father and mother's lives (with particular focus on the father). However, unlike the cruel and over-zealous preacher from Fanny and Alexander, Bergman's father is a flawed man full of dichotomies. A very pious and severe man with little sense of humor, he also apparently has no problem with premarital sex (with two different women) and is an advocate for the working poor. I think these inconsistencies and his father's difficulty with expressing normal human emotions lead to Bergman's earlier works (such as the professor in Wild Strawberries and the persistent theme of living in the barren wilds in movies such as The Passion of Anna and Shame).
So, why didn't I score the movie higher? Well despite the insights, the movie was very long and occasionally tedious--particularly for the Bergman novices. Plus, although the movie gave us some insights, the actual span of time covered in the film was rather limited. It was like a glimpse but an incomplete glimpse of the man.