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The Best Intentions (1992)

Den goda viljan (original title)
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The story of Ingmar Bergman's parents. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in ... See full summary »

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4 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Johan Åkerblom
Ghita Nørby ...
Karin Åkerblom
Lennart Hjulström ...
Disponent Nordenson
Mona Malm ...
Alma Bergman
...
Keve Hjelm ...
Fredrik Bergman
...
Ernst Åkerblom
Börje Ahlstedt ...
Carl Åkerblom
Hans Alfredson ...
Kyrkoherde Gransjö
Lena T. Hansson ...
Magda Säll
Anita Björk ...
Drottning Victoria
Elias Ringquist ...
Ernst Günther ...
Freddy Paulin
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Storyline

The story of Ingmar Bergman's parents. In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. After a few years Anna can't stand living in the rural county with the uncouth people. She returns to Uppsala, Henrik stays in the north. Written by Robert Stroetgen <stroetgen@rrz.uni-hamburg.de>

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In 1983 after completing the Oscar winning "Fanny And Alexander", Ingmar Bergman retired from international cinema. Now, after 10 years of writing and reflection, he finds he has "one last story to tell" See more »


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Details

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Release Date:

10 July 1992 (USA)  »

Also Known As:

The Best Intentions  »

Box Office

Gross:

$1,300,000 (USA)
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Did You Know?

Trivia

The first time a husband and wife both won awards at the Cannes Film Festival in separate categories for the same film, Bille August winning the Palme d'Or for Best Film and his wife Pernilla winning for Best Actress. See more »

Connections

Edited from The Best Intentions (1991) See more »

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User Reviews

 
Swedish Period Drama at its Finest...
25 January 2013 | by (Salisbury, United Kingdom) – See all my reviews

It is the very honesty and intelligence that I find so beguiling and compulsive about the now, late Ingmar Bergman, and this being the life- story of his parents. Sounds great, doesn't it? Like the vast majority I was veered toward the Great Swede director via The Seventh Seal and it surprises me still, that not only did I find time for all his lesser, more ordinary and sometimes rather depressing films, I was after everything he made and associated with. The only other three directors I have vowed to do this for are/were Federico Fellini, Stanley Kubrick and Billy Wilder.

'Normal' period drama i.e. British, probably because it's so commonplace and accepted and even pushed upon us - if we didn't watch Downton Abbey on TV, we felt almost chastised! doesn't move me much, possibly because by now, most of the popular novels and adaptations have been re-done so many times. However, I find it rather calming and enjoyable to look through the eyes of 19th C Swedish middle-class family life and as such, Bille August's direction and period detail is never less than 100% convincing.

The picture quality of the DVD is excellent, subtle yet full of life and texture. The ratio fills a standard widescreen format, so you get all of the picture. Compared to the rather poor transfer I have of Bergman's Scenes From A Marriage, this is near perfect. The score is simple yet sympathetic, too.

Bergman stalwart Max von Sydow is perfect as the grandfather and Permilla August (the director's wife) as Anna Bergman, to be Ingmar's mother. In some ways it helps to know of - and appreciate - the genius, yes, genius, that the couple went onto bear, but not essentially so as the story of young love but disapproving parents and society is a such a universal one that in fact it can be enjoyed by everyone.

Lastly, whilst I'm not complaining, my DVD is clearly marked as a 'PG' yet there is female topless nudity and subsequent mild sex scenes that's quite prevalent, especially near the start. Whilst children are very unlikely to watch this, especially alone, parents should know of this and whilst '15' is possibly too strong, especially for a more relaxed European film, a '12' would be more appropriate.


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