The real story behind the world of sales. This is a realistic portrayal of what it is to try making a life in high pressure sales with all its highs and lows; promises of fortunes and deliveries of dross. Red-leads and dead-leads are to blame for life's outcomes. Living with "Objection, Rebuttal, Close" and fake automobiles from the mobbed-up corporate owners. Written by
During the production, producers Jerry Tokofsky and Stanley R. Zupnik had a falling out over money and credit for the film. Tokofsky sued to strip Zupnik of his producer's credit and share of the producer's fee, but Zupnik filed a countersuit, claiming that he personally had put up $2 million of the film's budget, and accused Tokofsky of embezzlement. The cases were ultimately settled out of court with both men credited as producers. See more »
As Blake points out the months First and Second prizes he mentions that First prize is a Cadillac, nodding towards the board over his right shoulder. He then asks if they 'wanna know what seconds prize is? A set of steak knives..' - when the steak knives can be clearly seen on the board below the Cadillac. See more »
For those who are fans of action, explosions and flashy special f/x--this is not your movie. For those who are fans of extraordinary acting, strong characters, a great plot and priceless dialogue--it just doesn't get any better than this! When I say you're in for a treat, I mean it with the utmost certainty. Al Pacino and Kevin Spacey are on my list of favorite actors. The rest of the cast isn't quite on there, but they're all actors that I highly admire and some of which come close to being on my favorites list. First of all, it's hard to not be at least somewhat interested by a film written by David Mamet. He is simply the master when it comes to pacing and sharp dialogue. He truly has a style like no other. There's a million lines in this movie that I love to quote, many of which are in Alec Baldwin's opening speech. "F**k you, that's my name. You came here in a Hyundai, I drive a 80,000-dollar Oldsmobile--that's my name." And Kevin Spacey's "Go to lunch" speech is great as well. Every time I watch that scene I think back to when he read those same lines with a student on "Inside the Actor's Studio." Mamet's dialogue is delivered a lightning-fast pace, which I find fascinating. It makes you feel like you're watching an old movie, only in color and with an abundance of cuss words. This film brought tears to my eyes, not because it's incredibly sad, but because it's so intense. Watching actors like Al Pacino and Jack Lemmon share a scene is like a dream for any true film buff. Lemmon gave one of the best performances of his entire film career in this movie, and that's saying a whole lot! Needless to say, we suffered a tragic loss when he died. It's a surprise that he didn't receive an Oscar for his work in "Glengarry." Pacino also gives one of his best performances, in my opinion. In his recent films like "The Recruit" and "Simone," he hasn't gotten the chance to show off his acting chops to the fullest extent. His performance in this movie is an example of Pacino in full gear. Spacey is perfectly slimy in his role, and I despised him every minute he was on screen. Everyone who's ever had a job is familiar with some secretary or assistant manager, who's uptight and constantly plays by-the-book, just so he can maintain the respect of the boss whose butt he kisses every minute of the day. We've all encountered scumb*gs like him, and that's why it made it so easy for me to hate his guts. Every character is multi-dimensional, and I was able to feel either a deep sympathy or a deep hatred towards each of them. Some have criticized this film for being visually unimpressive, since it takes place mainly on one location. That didn't bother me one bit. When you have actors this engaging, setting is definitely not the issue. People always feel that when a play is adapted onto screen, it has to take place in many different locations, to "take advantage" of it being a motion picture. I always feel that good writing and good acting are the key elements of a good movie. If you want to see great visuals, go rent the whole "Lord of the Rings" trilogy. But for those begging for something of substance should love this movie. I'm constantly on the edge-of-my-seat when I watch this movie. All aspiring actors should be required to watch "Glengarry Glen Ross" as a prerequisite, because all you need to know about great acting is in this movie. A DON'T MISS!! (10 out of 10)
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