A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Times are tough in a Chicago real-estate office; the salesmen (Shelley Levene, Ricky Roma, Dave Moss, and George Aaronow) are given a strong incentive by Blake to succeed in a sales contest. The prizes? First prize is a Cadillac El Dorado, second prize is a set of steak knives, third prize is the sack! There is no room for losers in this dramatically masculine world; only "closers" will get the good sales leads. There is a lot of pressure to succeed, so a robbery is committed which has unforeseen consequences for all the characters. Written by
Patrick Dominick <firstname.lastname@example.org>
David Mamet's original play opened at the National Theatre of London in 1983 and then moved to Chicago before going on to Broadway, opening at the John Golden Theater in New York on 25 March, 1984 and running for 378 performances. The play won the 1984 Pulitzer Prize for Drama and was nominated for the 1984 Tony for Best Play, losing the latter award to Tom Stoppard's "The Real Thing." See more »
The neon sign on the restaurant across from the office has 4 or 5 of its letters on each line not operating. In the scene where Aaronow and Moss are in a car across from the restaurant, all of the letters on the sign are illuminated, as can be seen out the window of the car behind Moss. When they get out of the car, the letters are, again, not working. See more »
And to answer you question, pal, why am I here? I came here because Mitch and Murray asked me to. They asked me for a favor. I said the real favor, follow my advice and fire your fucking ass because a loser is a loser.
See more »
The first time I saw this movie my jaw was hanging down and my mouth wide open from start to finish. I was gripped.
This movie has no sex, no violence, no car chases, no action - but absolutely the most powerful acting I have ever seen. Uncompromisingly realistic.
Having said that, I can understand why so many people do NOT like it - you have to like dramas, and especially one centered so much around desparation and conflict, and NOT around action. It is adapted from the stage play, and I appreciate the way in which it was shot, retaining so much of the raw appeal that can only be felt at the theatre, as opposed to the cinema.
This movie is a veritable who's who of acting, with Al Pacino, Jack Lemmon, Ed Harris, Alec Baldwin, Alan Arkin, Jonathan Pryce - not to mention a then-relatively-unknwon Kevin Spacey.
If you can appreciate powerful acting, films based on dialogue with few scene changes, and can withstand an absolute barrage of foul language (which I must add is perfectly suited to this film), then this movie will blow you away.
150 of 170 people found this review helpful.
Was this review helpful to you?