It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
Times are tough in a Chicago real-estate office; the salesmen (Shelley Levene, Ricky Roma, Dave Moss, and George Aaronow) are given a strong incentive by Blake to succeed in a sales contest. The prizes? First prize is a Cadillac El Dorado, second prize is a set of steak knives, third prize is the sack! There is no room for losers in this dramatically masculine world; only "closers" will get the good sales leads. There is a lot of pressure to succeed, so a robbery is committed which has unforeseen consequences for all the characters. Written by
Patrick Dominick <firstname.lastname@example.org>
The word "lead" or "leads" occurs 83 times in the script. See more »
George's hand is on his chin when the camera is behind him during a conversation with Ricky, but when the angles are changed his arm is flat on the desk. See more »
WHAT YOU'RE HIRED FOR, is to help us... does that seem clear to you? TO HELP US, not to... FUCK-US-UP... to help those who are going out there to try to earn a living... You fairy. You company man.
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The film that helped me discover the joy that is David Mamet...
I went into "Glengarry Glen Ross" totally blind. I had no idea who David Mamet was really (other than the fact that he was a writer), never saw any of his plays, or realized that he'd been in business for a while (through some backtracking, I found out that he was the writer behind the film version of "The Untouchables", one of the best films of the 80's). All that changed after I saw this brilliant, BRILLIANT film. It amazes me how all the big names in this film (and there are plenty, Jack Lemmon, Kevin Spacey, Al Pacino, Ed Harris, and Alec Baldwin) were pulled together for this two-act movie play about a salesman's life. It's all very dialogue heavy throughout, only about three or four different locations (the primary action all taking place in the office) and yet I was never bored for a second. Counting up all the "F*** You!"s in this film has convinced me that the tongue stings in ways a torture specialist can only imagine. The dialogue is clever, vicious, and occasionally even a little funny (particularly when Pacino is in action; intentional or not, he can be a VERY funny guy). The plotting doesn't show all it's cards straight away, as there are one or two suprises that ultimately catch the viewer off-guard.
Now as to the cast, what to say that hasn't been said? Hmmm...nothing really, I suppose. Watching Lemmon's desperation, Harris' anger, Pacino's laid-back cool, Spacey's authoritarian chutzpah, and Baldwin's icy dissection of his employees is astounishing to behold. Lesser actors would have made the results much less memorable and/or believable. These guys make it unforgettable. Two decades from now on, when all the hooplas of the 90's "hits" dies down, people will rediscover what I already know: "Glengarry Glen Ross" is one for the ages.
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