It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Times are tough in a Chicago real-estate office; the salesmen (Shelley Levene, Ricky Roma, Dave Moss, and George Aaronow) are given a strong incentive by Blake to succeed in a sales contest. The prizes? First prize is a Cadillac El Dorado, second prize is a set of steak knives, third prize is the sack! There is no room for losers in this dramatically masculine world; only "closers" will get the good sales leads. There is a lot of pressure to succeed, so a robbery is committed which has unforeseen consequences for all the characters. Written by
Patrick Dominick <firstname.lastname@example.org>
When Roma is presenting the Glengarry Highlands brochure to Lingk at the restaurant, there is an instance when ice is heard clinking in a glass, as if one of the two is drinking or moving their glass. The next shot doesn't reveal somebody having moved or drank from a glass. See more »
[Williamson shuts the door in Ricky's face]
Fuck. Fuck, fuck, FUCK! Williamson! Williamson! Open this fucking door!
See more »
The first time I saw this movie my jaw was hanging down and my mouth wide open from start to finish. I was gripped.
This movie has no sex, no violence, no car chases, no action - but absolutely the most powerful acting I have ever seen. Uncompromisingly realistic.
Having said that, I can understand why so many people do NOT like it - you have to like dramas, and especially one centered so much around desparation and conflict, and NOT around action. It is adapted from the stage play, and I appreciate the way in which it was shot, retaining so much of the raw appeal that can only be felt at the theatre, as opposed to the cinema.
This movie is a veritable who's who of acting, with Al Pacino, Jack Lemmon, Ed Harris, Alec Baldwin, Alan Arkin, Jonathan Pryce - not to mention a then-relatively-unknwon Kevin Spacey.
If you can appreciate powerful acting, films based on dialogue with few scene changes, and can withstand an absolute barrage of foul language (which I must add is perfectly suited to this film), then this movie will blow you away.
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