It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
Times are tough in a Chicago real-estate office; the salesmen (Shelley Levene, Ricky Roma, Dave Moss, and George Aaronow) are given a strong incentive by Blake to succeed in a sales contest. The prizes? First prize is a Cadillac El Dorado, second prize is a set of steak knives, third prize is the sack! There is no room for losers in this dramatically masculine world; only "closers" will get the good sales leads. There is a lot of pressure to succeed, so a robbery is committed which has unforeseen consequences for all the characters. Written by
Patrick Dominick <email@example.com>
In the scene when Roma sits down at his desk to begin lying to James Lingk with Levine's help, he quickly takes his gum out of his mouth and tries to mash it under his desk. Al Pacino does this so quickly that the gum jumps from under the desk, across Pacino's/Roma's lap. In an example of great professionalism, Pacino keeps going with only a minor hesitation. See more »
George's position when talking to Ricky about the break-in. See more »
Your name is "you're wanting", and you can't play the man's game, you can't close them, and then tell your wife your troubles. 'Cause only one thing counts in this world: get them to sign on the line which is dotted. You hear me you fuckin' faggots?
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The first time I saw this movie my jaw was hanging down and my mouth wide open from start to finish. I was gripped.
This movie has no sex, no violence, no car chases, no action - but absolutely the most powerful acting I have ever seen. Uncompromisingly realistic.
Having said that, I can understand why so many people do NOT like it - you have to like dramas, and especially one centered so much around desparation and conflict, and NOT around action. It is adapted from the stage play, and I appreciate the way in which it was shot, retaining so much of the raw appeal that can only be felt at the theatre, as opposed to the cinema.
This movie is a veritable who's who of acting, with Al Pacino, Jack Lemmon, Ed Harris, Alec Baldwin, Alan Arkin, Jonathan Pryce - not to mention a then-relatively-unknwon Kevin Spacey.
If you can appreciate powerful acting, films based on dialogue with few scene changes, and can withstand an absolute barrage of foul language (which I must add is perfectly suited to this film), then this movie will blow you away.
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