A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In this dramatic courtroom thriller, LT Daniel Kaffee, a Navy lawyer who has never seen the inside of the courtroom, defends two stubborn Marines who have been accused of murdering a colleague. Kaffee is known as being lazy and had arranged for a plea bargain. Downey's Aunt Ginny appoints Cmdr. Galloway to represent him. Also on the legal staff is LTJG Sam Weinberg. The team rounds up many facts and Kaffee is discovering that he is really cut out for trial work. The defense is originally based upon the fact that PFC Santiago, the victim, was given a "CODE RED". Santiago was basically a screw-up. At Gitmo, screw-ups aren't tolerated. Especially by Col. Nathan Jessup. In Cuba, Jessup and two senior officers try to give all the help they can, but Kaffee knows something's fishy. In the conclusion of the film, the fireworks are set off by a confrontation between Jessup and Kaffee. Written by
Matt Curtolo <firstname.lastname@example.org>
The title for the play and film came from a long-running recruiting campaign for the U.S. Marine Corps, "We're looking for a few good men." The campaign was slowly phased out through the 1980s with the well-known, "The Few. The Proud. The Marines." See more »
At the end of the movie, when the two marines stand to hear the verdict, the long shot shows them to have about a foot difference in height. Move to close-up and they are a few inches different. The long shot once again shows the larger height difference. See more »
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This is my all-time favorite movie. I've probably watched it 300 times and I can recite it line by line. I once wrote the script during the course of one semester in a class I hated. I still have the notebook.
Demi Moore definitely is the film's weakest link, but the acting is superb and Aaron Sorkin's story sucks you in from the opening minute. There is so much great dialogue, headlined by Tom Cruise's courtroom battle with Jack Nicholson at the movie's climax.
Too many people say the movie is average because it's "too slow," but I really believe anyone who appreciates good acting and good stories has to put this one near the top of their list.
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