The fairies live in a peaceful place in the forest called Fern Gully which has been protected for many years by Magi, a wise fairy with strong powers. Her grand-daughter Crysta is a charming, beautiful fairy that is very intrigued about the world outside of Fern Gully. She along with the other fairies in the forest do not believe humans exist and are only in stories, until a crazy bat by the name of Batty, comes and tells them all these crazy stories about how he was captured by humans and experimented on. At first no one believes him except Crysta and she is determined to find out if humans are real. She goes to a place called Mount Warning, where the evil shadow of destruction Hexxus is known to be trapped, and finds a human named Zak. When he is almost crushed by a tree Crysta accidently shrinks him to fairy-size and he falls on a tree that is about to be devoured by "The Leveller". "The Leveller" is a wood cutting machine that has been cutting down every tree the humans have been ... Written by
Tim Curry (Hexxus) and Robin Williams (Batty Koda) have both worked with director Chris Columbus. Curry; Home Alone 2: Lost in New York (1992). Williams; Mrs Doubtfire (1993), Nine Months (1995) and Bicentennial Man (1999). See more »
After Zak tries to carve Crysta's name into the tree, he never puts his knife away while pushing the leaf-boat. See more »
Our world was much larger then. The forest went on forever. We tree spirits nurtured the harmony of all living things, but our closest friends were humans. Then, as sometimes happens, the balance of nature shifted. Hexxus, the very spirit of destruction rose up from the bowels of the earth, and rained down his poison. The forest was nearly destroyed, many lives were lost and the humans fled in fear, never to return. Most believe they did not survive. It was only ...
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Special thanks to The United States Postal Service for their efforts to raise environmental awareness. See more »
One of my least favorite experiences is to find a movie I loved in my single-digits, rewatch it in wonder, then wait half an hour (at most) and finally concede that it was a real stinker. I may sentimentalize movies from my youth, but not the ones that really don't deserve my affection.
This one does.
Crysta, a simple, innocent, and at times flippant fairy, is an imperfect but funny heroine, and as genuine as they come. Batty gives Robin Williams another character perfectly suited to his talent -- I watched this movie at a party with highschoolers and he went down great (everyone liked the movie overall, but Batty stole my friends' hearts). He has the genie sassy-but-kind vibe going, and it's hard not to think of him as just as much a main character as Crysta (or more). Zach... well, okay, Zach was unforgivably dumb for awhile, but it was gratifying to see him finally get it. Magi Lune's character was fascinating, a powerful sorceress with just a hint of weakness and sadness (as when she admits of the coming darkness that she "cannot heal it" and "cannot stop it"). She delivers sappy lines and instead of losing the audience emotionally, they resonate deeply. I think this is because the usual sentimentality and condescension you see in kids' movie whenever there's a "message" is totally absent -- Magi speaks her lines with total respect and love for Crysta. It is a deeply spiritual moment.
The animation is beautiful, visual joy; the script is full of entertaining flourishes, and Crysta's father is the most humorous roly-poly befuddled dad since the Sultan in Aladdin. I'm a huge Tim Curry fan, and he doesn't disappoint. But what makes this film stand out for me is how it handles its message.
The entire film is built around it, but it doesn't seem heavy-handed at all. As a kid, I was inspired by Crysta's comeback, and the idea of there being "magic" in all of us. As a teenager, it reached me even more: Crysta learns that, despite her youthful curiosity, real understanding and real power can come when she applies herself, and takes responsibility. In the beginning of the film, Crysta takes Magi for granted (and not too seriously), and there is a hint of rowdy teenager in the way she sneaks off to hang with a boy she likes. But she comes to understand that Magi is not infallible, and will not always be there to take care of her. She realizes that she loves Magi even though the woman can't always make everything alright, and eventually, Crysta learns that she, too, can take care of others. In short, Crysta matures, and it is insightfully handled and beautiful and affecting for me to watch. this, even more than the idea of conservation, is its message: the inspiration to learn that others cannot always help you, and that sometimes other people even *need* you -- the rainforest is really just another charge, desperately in need of help.
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