A young man (Cruise) leaves Ireland with his landlord's daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When ... See full summary »
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A young man (Cruise) leaves Ireland with his landlord's daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local barehands boxer, and rides in glory until he is beaten, then his employers steal all the couple's money and they must fight off starvation in the winter, and try to keep their dream of owning land alive. Meanwhile, the woman's parents find out where she has gone and have come to America to find her and take her back. Written by
Ed Sutton <firstname.lastname@example.org>
Although he had over 17 years of experience in the business in 1992, this film marked the first time that dialect coach Tim Monich had to teach his cast to speak in an Irish accent. Technically, Nicole Kidman's accent is incorrect. As a well-to-do landowner's daughter in Ireland at the time, she would have spoken with a largely English accent, but, as this probably would have confused international audiences, she was taught to speak in an educated Dublin accent. See more »
During the land race scene, Joseph is carrying his flag on the back of his horse. The flag disappears and reappears between shots. See more »
Underrated storybook of a movie that embraces its cliches
If you pay too much attention to the cliches and unlikely situations the characters are placed, you really miss the charm of this movie. I can see how people would be put off if they were expecting a serious historical reenactment. Still, I believe that Ron Howard fully meant for this to be a fully romanticized account of the time. This movie works in many of the ways Titanic does, and I think it does it more effectively. Still, with Titanic, most people seemed more than willing to overlook the absurdities. With Far and Away, I don't think Ron Howard was trying to trick us or dumb us down. I don't think he was ever trying to underestimate the intelligence of his viewers. I think he was asking us to follow him and trust him as he told a story. I enjoyed it. Kidman and Cruise were both fun to watch. The supporting cast, although they did seem like they came from a comic book, were entertaining. I hope this movie has life on cable and DVD.
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