A young man (Cruise) leaves Ireland with his landlord's daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When ... See full summary »
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A young man (Cruise) leaves Ireland with his landlord's daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local barehands boxer, and rides in glory until he is beaten, then his employers steal all the couple's money and they must fight off starvation in the winter, and try to keep their dream of owning land alive. Meanwhile, the woman's parents find out where she has gone and have come to America to find her and take her back. Written by
Ed Sutton <firstname.lastname@example.org>
Tom Cruise may have the "worst-looking" Irish accent on the face of the planet, but it is undeniable that he and Nicole Kidman are sizzling on the silver screen together. Their intensity shines as well as their artistic ability to envelop a character and relate their thoughts to a viewer. Besides their very well done performance, the film is absolutely beautiful. Kudos to the set and costume designers that spent long hours on Far and Away. But he real story in this film is Ron Howard. It is simply a asthetic masterpiece. I spent most of my time wishing that he had just set his camera up on the prairie and filmed the grass growing. It was truly beautiful. Incidentally, sometimes one scene just makes a film. Brings it up from a good film into near 'masterpiece' status. This is one of those films. The music (the best soundtrack of the year thanks to Horner) combined with Ron Howard's vision made the "land race" scene of Far and Away and classic within itself. Put this scene up there with the chariot race in Ben Hur and the parting of the Red Sea in The Ten Commmandments, it is just that good. This is, far and away, one of the best films of the year.
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