Heathcliff is Cathy Earnshaw's foster brother; more than that, he is her other half. When forces within and without tear them apart, Heathcliff wreaks vengeance on those he holds ... See full summary »
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On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
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Heathcliff is Cathy Earnshaw's foster brother; more than that, he is her other half. When forces within and without tear them apart, Heathcliff wreaks vengeance on those he holds responsible, even into a second generation. Written by
Cleo <frede005@maroon.tc.umn.edu>
The film's title came about because the Samuel Goldwyn Co. threatened to sue Paramount, as it owned the rights to the title via the 1939 film. Upheld by the Motion Picture Association of America, Goldwyn was legally permitted to fine Paramount $2,500 every time it neglected to add the Emily Brontë prefix to the title of their version. See more »
Quotes
Cathy Linton:
My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff is the eternal rock beneath: a source of little visible delight, but necessary. Nelly, I AM Heathcliff!
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It is puzzling that critics generally seem not to like this filming of Emily Bronte's tale of vengeance and woe. True, it is not a perfect novel as even Charlotte Bronte allowed in a preface to a later edition, but it evokes powerful images and emotions apropos of the Yorkshire country. This film, moreover, gives us the whole story to the bitter end, unlike some previous filmings. It is beautifully photographed in a bleak and forbidding setting. Color balances seem a tad weird at times and the editing is not always precise, but it is certainly a good attempt at a difficult story. For me, I found the acting good to adequate, often even excellent. This version deserves a look.
34 of 45 people found this review helpful.
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It is puzzling that critics generally seem not to like this filming of Emily Bronte's tale of vengeance and woe. True, it is not a perfect novel as even Charlotte Bronte allowed in a preface to a later edition, but it evokes powerful images and emotions apropos of the Yorkshire country. This film, moreover, gives us the whole story to the bitter end, unlike some previous filmings. It is beautifully photographed in a bleak and forbidding setting. Color balances seem a tad weird at times and the editing is not always precise, but it is certainly a good attempt at a difficult story. For me, I found the acting good to adequate, often even excellent. This version deserves a look.