After reading too many novels about knights and heroic stories, Don Quijote and his servant Sancho Panza decide to wander the roads of Spain to protect the weak and to accomplish good deeds... See full summary »
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"Il vero cineasta è colui che sa dominare le catastrofi !". Partendo da questa affermazione, Orson Welles spiega le ragioni, i tempi ed i modi della realizzazione di uno dei suoi capolavori... See full summary »
After reading too many novels about knights and heroic stories, Don Quijote and his servant Sancho Panza decide to wander the roads of Spain to protect the weak and to accomplish good deeds. But the real world is not as magical and fairy as Don Quijote imagines it to be. Following the plot of Cervantes classical book, Don Quijote fights with windmills thinking they are giants but unluckily, he manages to be defeated by them. Written by
Cyril Aubaud (email@example.com)
According to Spanish film critic Juan Cobos, who had watched an early rough cut of the movie while Orson Welles was still filming material for it, this new version cut and reshaped by Jesús Franco doesn't resemble Welles' vision at all. See more »
Orson Welles legendary project is nigh on impossible to find here, but I did have the good fortune to attend a free screening. Including myself and my wife there must have been all of eight people in the theater.
Welles interpretation of Quixote is peculiarly reminiscent of some of the illustrations of Gustave Doré (and to a lesser extent Salvador Dali) of Cervantes' masterpiece. I thought this an attractive approach, as it indicated a degree of recognition for others who had explored this fascinating work.
Given the wild fluctuations in film stock and equipment, the film is at times somewhat difficult to watch: but these sudden transitions are only a little more extreme than in F for Fake. The travelogue like sequences toward the end of the film are also a little jarring, but do give some indication of Welles fascination with Spain.
As a student of film, or as a student of Welles you should try to see this flawed film. It's great moments far outshine the weaknesses. I am not an Orson Welles fan, but I certainly prefer this to The Lady from Shanghai. If you are not interested in Welles or film history you will probably be disappointed. As with F for Fake, there is little of the slickness we associate with Welles films.
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