A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ...
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A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show, while tracking down the manufacturer and distributor of an illegal made Semi-automatic firearm.
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the money flows from lobbyists. But soon he learns the nature of the game and decides to fight back the only way he knows how, with a con. Written by
Craig D. Barker <email@example.com>
This comedy about an African-American politician was made and released just under a decade or nine years before another, Head of State (2003) starring Chris Rock. The earlier movie The Man (1972) had a story-line centered around, "The First Black President of the United States", as a tagline for the picture stated, with his inauguration featuring prominently on movie poster's for the 1970s film. Actor James Earl Jones was interviewed about portraying a fictional black U.S. president in The Man (1972) a few days before Barack Obama was sworn in as President on 20th January 2009. Jones said that he had misgivings about the film, mostly because they were blindsided when the project, which had been planned and budgeted as a tele-movie, was then released in theaters, and he wished that they'd had more time and resources to make a stronger final film. See more »
When congressman Johnson first sits down with Celia Kirby and her assistant Ira Schecter , Johnson asks Ira about how much he pays for auto insurance and Ira states that he owns a 1982 Dodge Dart. The Dodge Dart was manufactured from 1960 through 1976 and then again from 2013 through the present. There is no such thing as a 1982 Dodge Dart. See more »
[to Thomas Johnson]
And you! You better be very, very quiet in there, my friend. I've got the goods on you, and it would be my pleasure to leave tire marks all over you.
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Trying to "Distinguish" the old Eddie from the new.
When Eddie Murphy hit it big on Saturday Night Live,he became the hottest featured player on there since John Belushi. Along with that came his (then) shocking and hilarious comedy albums. He Like Steve Martin in the '70s,became a stand-up comedian,treated like a rock star.
Then came great films like 48 Hours,Trading Places & Beverly Hills Cop #1 & Pt.2 and Coming To America. Mis-steps like Best Defense (which he's barely in) and Golden Child. Mostly though,it was his (clean version here) "smart-aleck"/street smart persona that made him. It's also what broke him,at least for awhile.
Harlem Nights was a disaster,Another 48 Hourscould have been made on a Xerox machine. People had begun to tire of him. In 1992 it seemed he had rebounded with "Boomerang" but then came this.
The Distinguished gentleman takes Murphy,once again back to the street smart,con artist he'd played before. The smart aleck humor seemed tired for a man (then) 30 years old. It was a somewhat nice touch that his character sees the realities involved in the office he's won based on (someone else's) name recognition. Seeing a little girl whose hair has fallen out due to electrical tower radiation makes him see the light.
Most comedies have a pretty funny ending but the writers couldn't even give us that. In the last moment,I was like,"That's it?"
Four stars is a generous rating here but I feel that Murphy was at least trying to say good-bye to his 80s super-star and hello to maturity,which he finally found. After Beverly Hills Cop 3,he never looked back again. (END)
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