If they missed Beatles' first appearance in the U.S.A. they would hate themselves for the rest of their lives! So they (six young girls from New Jersey) set off even though they don't have ... See full summary »
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Helen, a writer, and Madeline, an actress, have hated each other for years. Madeline is married to Ernest, who was once Helen's fiance. After she recovers from a mental breakdown, Helen vows revenge by stealing back Ernest and plotting to kill Madeline. Both rivals have secretly drunk a miracle cure for aging; they accidentally discover, when each tries to eliminate the other, that they have become immortal and that "life" will never be the same again. Written by
Helen has had a hole blown through her stomach by the time the "shovel fight" has begun. As Ernest leaves the scene, you see the shadows of the women fighting, only now the hole is in Madeleine's shadow, not Helen's. See more »
There is so much greatness in this unexpected Hollywood comedy that the cheap shots are really cheap and, quite frankly, unbearable. Buried somewhere between the special effects (extraordinary by the way) is one the wittiest satires to come out of Hollywood in many, many moons. Meryl Streep is sensational and Bruce Willis is, I swear, unrecognizable in the best possible way. The movie hits the highest moments when, for instance, Meryl asks Isabella Rossellini how much the magic potion costs and Isabella replays: "Oh the sordid topic of coin" sublime, exquisite, funny but with enormous regard for its audience. But when Bruce calls Goldie Hawn to explain the "incident" at home he goes through a TV style monologue that seems to belong to a sit-com and not to the elegant vulgarity of this three sad, magnificent wannabees. The dialog, for the most part, is the best in any American serious comedy since Billy Wilder. The structure of the script is flawless and inventive. The costumes are atrocious and certain scenes seem directed by a 3rd assistant. I don't know how to explain it. However, I have it, I own it and sometimes I put it on with my finger in the fast forward. What's good is so good that makes the whole thing really worth it.
132 of 142 people found this review helpful.
Was this review helpful to you?