Set in 1969, a twelve-year-old grows up in Key West with his mother, who is paying the bills by stripping at the local topless bar. The boy finds out about her activities and tries to ... See full summary »
The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the scene where Helen sits down onto a shovel handle, she didn't sit in the way she was expected to do, so the SFX people had to morph the image to make it look like the shovel handle was pushing up into her chest. See more »
Though the final scene takes place in 2029, which is 37 years in the movie's future, nobody is wearing futuristic clothing. Even in church, people do not dress as they did in 37 years before in 1955. See more »
I love this movie and have watched it more than any other film I own. What makes it for me is the subtle face acting of the two leads whose comic timing is perfect. Meryl Streep and Goldie Hawn have never been so good (plus this is the only film in which Bruce Willis doesn't do his trademark smirk even once).
Every role is played to perfection and the script is a comedy work of art.
I won't bother defending it to those people who need their jokes hammered home to them by comedy actors whose only way of getting a laugh is to gurn and fart. Each to their own.
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