After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At one point Lisle (Isabella Rossellini) asks Madeline Meryl Streep how old she thinks she is. Streep answers 38, to which Rossellini gives a dirty look. Rossellini was in fact 39 at the time of filming. See more »
After Madeline recovers, her limbs & neck still work even though broken, and her lungs continue to pump air for speech if nothing else - so her heart shouldn't stop beating, when it wasn't even damaged in the fall. See more »
[leaving the theatre in the rain]
Can you believe that? A musical version of "Sweet Bird of Youth."Who are they kidding?
Thank God you wanted to leave...
Can you believe Madeline Ashton? Talk about waking the dead.
I gotta get a drink...
[zoom in on discarded playbill featuring Madeline Ashton]
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I love this movie and have watched it more than any other film I own. What makes it for me is the subtle face acting of the two leads whose comic timing is perfect. Meryl Streep and Goldie Hawn have never been so good (plus this is the only film in which Bruce Willis doesn't do his trademark smirk even once).
Every role is played to perfection and the script is a comedy work of art.
I won't bother defending it to those people who need their jokes hammered home to them by comedy actors whose only way of getting a laugh is to gurn and fart. Each to their own.
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