6.4/10
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176 user 52 critic

Death Becomes Her (1992)

PG-13 | | Comedy, Fantasy, Horror | 31 July 1992 (USA)
When a woman learns of an immortality treatment, she sees it as a way to outdo her long-time rival.

Director:

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Popularity
2,139 ( 757)

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Won 1 Oscar. Another 3 wins & 12 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Chagall
...
Dakota
...
Rose
...
Psychologist (as Alaina Reed Hall)
...
Anna
...
Vivian Adams
William Frankfather ...
Mr. Franklin
...
Eulogist
...
Opening Man
...
Opening Woman
...
Second Man
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Storyline

In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Your basic black comedy. See more »

Genres:

Comedy | Fantasy | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for some nudity and off-color humor | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 July 1992 (USA)  »

Also Known As:

La muerte le sienta bien  »

Box Office

Budget:

$55,000,000 (estimated)

Gross:

$58,422,650 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Helen comes to the mansion to speak with Earnest, and tells him she has changed from the woman he once knew - telling him she can say the words "sexy" and "sex" - she has red lipstick on her top teeth the whole time. See more »

Goofs

When Madeline and Helen meet in Madeline's dressing room, they kiss one another on the cheek. Madeline leaves a large bright red lip print on Helen's upper cheek. In the next shot, the print has moved down toward her chin area. See more »

Quotes

[first lines]
Opening Man: [leaving the theatre in the rain] Can you believe that? A musical version of "Sweet Bird of Youth."Who are they kidding?
Opening Woman: Thank God you wanted to leave...
Second Woman: Can you believe Madeline Ashton? Talk about waking the dead.
Second Man: I gotta get a drink...
[zoom in on discarded playbill featuring Madeline Ashton]
See more »

Connections

Featured in Great MoVie Mistakes (2013) See more »

Soundtracks

Bridal Chorus
(uncredited)
Written by Richard Wagner
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User Reviews

 
From The Sublime To The Ridiculous
12 March 2006 | by (United States) – See all my reviews

There is so much greatness in this unexpected Hollywood comedy that the cheap shots are really cheap and, quite frankly, unbearable. Buried somewhere between the special effects (extraordinary by the way) is one the wittiest satires to come out of Hollywood in many, many moons. Meryl Streep is sensational and Bruce Willis is, I swear, unrecognizable in the best possible way. The movie hits the highest moments when, for instance, Meryl asks Isabella Rossellini how much the magic potion costs and Isabella replays: "Oh the sordid topic of coin" sublime, exquisite, funny but with enormous regard for its audience. But when Bruce calls Goldie Hawn to explain the "incident" at home he goes through a TV style monologue that seems to belong to a sit-com and not to the elegant vulgarity of this three sad, magnificent wannabees. The dialog, for the most part, is the best in any American serious comedy since Billy Wilder. The structure of the script is flawless and inventive. The costumes are atrocious and certain scenes seem directed by a 3rd assistant. I don't know how to explain it. However, I have it, I own it and sometimes I put it on with my finger in the fast forward. What's good is so good that makes the whole thing really worth it.


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