After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Madeline drinks the potion, she holds the vial to her lips for several seconds after the CGI liquid pours into her mouth. See more »
[leaving the theatre in the rain]
Can you believe that? A musical version of "Sweet Bird of Youth."Who are they kidding?
Thank God you wanted to leave...
Can you believe Madeline Ashton? Talk about waking the dead.
I gotta get a drink...
[zoom in on discarded playbill featuring Madeline Ashton]
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A genius combination of three great actors makes this worth while!
Ok, call me crazy but wasn't this the first film that anyone had ever seen Bruce Willis play a character that didn't involve him blasting bad guys into the air with a machine gun? Don't get me wrong, I loved "Die Hard" and am a big fan of Bruce but it was just so refreshing to see him play a character that was so different to his previous (and, indeed, later) roles. His performance of the downtrodden, weedy "Ernest" is masterful as he strikes a perfect balance between the comedy and darkness of the film. If you like black comedies (like me), you'll love this! Whoever thought of casting such a genius combination of these three great actors in this film should be applauded. Hawn and Streep are excellently cast as the two feisty women competing over Ernest, desperately hanging on to their long-gone youth and stopping at NOTHING to get what they want - the bitch fight between the two gals is a scene NOT to be missed!
All in all, "Death Becomes Her" is a deliciously dark comedy with a brilliant cast, great direction and some pretty convincing special effects - considering it was made way back in 1992!
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