A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the... See full summary »
A knight and his valet are plagued by a witch, and to repair the damage they make use of the services of a wizard. However, something goes wrong and they are transported from the 12th ... See full summary »
Helen, a writer, and Madeline, an actress, have hated each other for years. Madeline is married to Ernest, who was once Helen's fiance. After she recovers from a mental breakdown, Helen vows revenge by stealing back Ernest and plotting to kill Madeline. Both rivals have secretly drunk a miracle cure for aging; they accidentally discover, when each tries to eliminate the other, that they have become immortal and that "life" will never be the same again. Written by
The film underwent some major re-editing after negative feedback was received at test screenings. The entire ending was changed, and the role played by Tracey Ullman disappeared from the film completely, despite the fact that she was featured briefly in the trailer for the film. See more »
When Madeline and Helen meet in Madeline's dressing room, they kiss one another on the cheek. Madeline leaves a large bright red lip print on Helen's upper cheek. In the next shot, the print has moved down toward her chin area. See more »
I must have seen this film about 15 or so times now. I love the vain, shallow characters of Madeline and Helen who are the ultimate example of what might happen if you took the advice of our "obsessed-with-perfection" media to its illogical conclusion. Meryl and Goldie play their parts with unrestrained enthusiasm, pushing them to the limit to emphasise that these two who believe they are truly beautiful are, after all, just caricatures of perfection.
Like Icarus, Mad and Hell take no advice and pursue the unattainable regardless of the cost. That they see every mountainous obstacle as a mere minor inconvenience helps reinforce the humour of the film. Bruce Willis is marvellous as Ernest, the unhappy mouse caught in the middle of their game; the voice of reason amid lunacy.
The writing is witty and sometimes painfully sharp, emphasising in almost every scene that beauty does not equal happiness, and the closer you come to attaining an obsessively pursued physical perfection, the further you get from real happiness and fulfillment. Stylistically our attention is focused on this concept over and over again, with mirrors and reflections used very creatively throughout the film.
We don't see a lot of clever satire these days, which is a pity. This is a fabulous film.
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