After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The potion is depicted in the film as a pink ethereal essence. In the original script however, it was described as a thick gray mercury-like fluid. See more »
When Ernest runs away from Lisle, after he nearly drinks the live-forever potion, he runs down a hallway and commences to open a door with a doorknob on the left side of the door. It then cuts to the other side of the door, of Ernest walking through the door (into the party), and now the doorknob is also on the left side of the door, yet is should be on the right side. See more »
[leaving the theatre in the rain]
Can you believe that? A musical version of "Sweet Bird of Youth."Who are they kidding?
Thank God you wanted to leave...
Can you believe Madeline Ashton? Talk about waking the dead.
I gotta get a drink...
[zoom in on discarded playbill featuring Madeline Ashton]
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The cast is perfect. The acting deserved golden globes all round. Every line is delivered perfectly and every expression is just right. Goldie, Meryl and yes Bruce are all perfect. Meryl's best comedy ever. Goldie is so funny - one of the first fat suit uses. In fact it is Bruce's best comedic role - he is unrecognizable. The dark comedy is so unique and right on the plastic surgery and commentary on the obsession with youthful looks is so spot on. And it is really funny too. Special effects are still astounding even by today's standards. Isabella Rosellini is also very effective in her small role. Every time I have seen this movie over all these years it's still funny and still delightful. A must see and a classic.
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