An unlikely kind of friendship develops between Fergus, an Irish Republican Army volunteer, and Jody, a kidnapped British soldier lured into an IRA trap by Jude, another IRA member. When the hostage-taking ends up going horribly wrong, Fergus escapes and heads to London, where he seeks out Jody's lover, a hairdresser named Dil. Fergus adopts the name "Jimmy" and gets a job as a day laborer. He also starts seeing Dil, who knows nothing about Fergus' IRA background. But there are some things about Dil that Fergus doesn't know, either... Written by
Eugene Kim <firstname.lastname@example.org>
Producer Stephen Woolley owned a repertory cinema in London called the "Scala", when there were funding issues with the film Woolley ended up borrowing money from the Scala to keep the production afloat. See more »
Dil's hair during the first scene taking place in the Metro. See more »
[playing ring toss at a carnival]
[tosses a ring]
[tosses a ring]
And that. And that is cricket, hon.
[wins a large teddy bear]
Do you want it?
[hands her the teddy bear]
Doesn't matter if you don't. You know I won't be offended. Jody's never offended. What'd you say your name was?
[...] See more »
The first part of The Crying Game is based on a great short story by Frank O'Connor, "Guests of the Nation." The balance of this provocative, brilliantly made film takes you on a journey fueled by guilt, romance, terrorist intrigue, and a plot twist that ranks as one of the most startling in all cinema. The acting, by Forest Whitaker, Stephen Rea, Jaye Davidson, and others, is all first-rate; the cinematography and score are stellar; and Neil Jordan directs with vigor and empathy.
How can anyone give this movie less than a 10? I can't.
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