In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
George has just been released from prison, and manages to get a job driving a call girl from customer to customer. Initially they don't get on; he doesn't fit in with the high class customers Simone services. Will they ever get on?
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So ... See full summary »
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
The two teenagers Jimmy and Rose spend their vacation at the small Irish sea-resort Bray. Out of boredom they observe other people and imagine wild stories about them. One day they observe ... See full summary »
An unlikely kind of friendship develops between Fergus, an Irish Republican Army volunteer, and Jody, a kidnapped British soldier lured into an IRA trap by Jude, another IRA member. When the hostage-taking ends up going horribly wrong, Fergus escapes and heads to London, where he seeks out Jody's lover, a hairdresser named Dil. Fergus adopts the name "Jimmy" and gets a job as a day laborer. He also starts seeing Dil, who knows nothing about Fergus' IRA background. But there are some things about Dil that Fergus doesn't know, either... Written by
Eugene Kim <firstname.lastname@example.org>
A few lines of dialogue allude to Dil as being significantly older than Fergus (more specifically, a remark Dil makes about preferring younger men). Jaye Davidson, who plays Dil, is actually twenty-one years younger than Stephen Rea, who plays Fergus. See more »
Dil's hair during the first scene taking place in the Metro. See more »
[playing ring toss at a carnival]
[tosses a ring]
[tosses a ring]
And that. And that is cricket, hon.
[wins a large teddy bear]
Do you want it?
[hands her the teddy bear]
Doesn't matter if you don't. You know I won't be offended. Jody's never offended. What'd you say your name was?
[...] See more »
This film (I have seen it twice) is a real piece of first class handy-craft. The supposed (and advertised as offensive to some) turn in the middle of it, might disturb some viewers and has nothing to do with the action. The calm and slow way of telling that's significant for the film, makes it perfect for Michael Rea as the sensitive reluctant IRA-volunteer. The musical theme (like the title) is simply Bull's Eye.
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