In 1535, an alchemist builds an extraordinary mechanism encapsulated into a small golden device. The invention, designed to convey eternal life to its owner, survives its maker until 1997, when it shows up with an antiques dealer. Fascinated with the strange device, Gris (Luppi) doesn't note that there's more than one person looking for it. The promise of eternal life has become an obsession for old and sick Mr. De la Guardia (Brook). He and his nephew (Perlman) will do anything to get the Chronos Invention. Written by
Maximiliano Maza <firstname.lastname@example.org>
The names used are: Jesus Gris and Angel de la Guardia, which translates to "Grey Jesus" and "Guardian Angel". Angel, guards his uncle, and Jesus has gray hair and, eventually, grey skin. See more »
When Jesús searches for Aurora after she has taken the Cronos, as he walks through two doors, he stops. Behind him, reflected in the glass of the door, is crew and equipment. See more »
[discussing why Deiter wants the Cronos]
He thinks it will help him live longer.
Angel de la Guardia:
That fucker does nothing but shit and piss all day, and he wants do live longer?
See more »
Dedicated to the memory of Josefina Camberos See more »
Slow but interesting reinvention of the vampire legend
When antiques dealer Jesús finds the legendary Cronos device within a statue he accidentally uses it. It feeds on his life force in exchange for eternal life. However wealthy Dieter and his nephew Angel also want the device and are willing to do anything to get it.
This is certainly a different vision of the vampire story, it dispels with a lot of the gore, the castles, Igor etc, but keeps the sunlight, the through the heart death etc. The story moves very slowly and is focused on Jesús and the devices' effect on him. His accidental transformation causes concern within his granddaughter and he finds that eternity has a price. The scenes between Jesús and Aurora are touching and make a nice change from the blood letting scenes.
The action is never really forthcoming and it is a little stilted in a way. Pearlman's character is a good addition to the story, but it does move so slowly that it may be a disappointment to those expecting a horror film. Luppi is good as Jesús, haunted by a gift he never wanted, Tamara is also strong as his granddaughter.
Overall it's an interesting retelling of a famous story. The direction is faultless although the story occasionally feels aimless and drifting.
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